01. Freezer Burn - 2:25
02. These Blues Are Mine - 3:40
03. It Might Not Be Me - 3:48
04. I Forget - 4:20
05. Texas Girl - 3:37
06. Lover And A Friend - 2:47
07. Jessie's Blues - 4:30
08. Looking Back - 2:45
09. Honest Love - 3:43
10. Keep On Doing - 2:59
11. Leroy's Mood - 3:38
12. Cold Poison - 11:01

Monster Mike Welch - Composer, Guitar, Vocals
George Lewis -	Composer, Guitar, Guitar (Rhythm)
Jon Ross – Bass
Warren David Grant – Drums

He was only 16 years old at the time of release, but you wouldn't know it from the way he plays guitar -- this kid has the chops some seasoned professionals dream of, and has gained a lot of respect for them. The big problem comes when he opens his mouth to sing -- he does a credible job of trying to nail down that rough blues vocal tone, but he more often than not sounds just like a kid trying to get to a grown-up voice. Meanwhile, his band is well-worn and the songwriting is definitely up to par. --- Steven McDonald, Rovi

Mike Welch started playing guitar when he was eight. This led to his presence at local Boston blues jams by age 11. He played at the opening of Boston’s House of Blues when he was 13. Shortly thereafter, he became known as the house prodigy of Dan Aykroyd and the House of Blues management. In fact, it was Aykroyd who tagged him ‘Monster Mike Welch’, primarily because he was so good and so powerful at such a young age.

Eventually Mike started gigging on his own, forming the Monster Mike Welch Band. Their debut release, ‘These Blues Are Mine’, was released in 1996, when he was a mere 16 years old. The band went on to record a handful of acclaimed blues albums, as Mike, simultaneously, did guest appearances on the records of other blues greats. Along this amazing journey, the young guitarist played with the likes of Johnny Clyde Copeland, James Cotton, Johnny Winter, Hubert Sumlin, and Junior Wells, to name just a few. He was also a member of Sugar Ray and the Bluetones for a while, the band fronted by blues vocalist and harpist, Sugar Ray Norcia.

Monster Mike Welch has been an accomplished musician for years now, and his credits are significant and comprehensive. What’s incredible is that he’s still young and almost certainly hasn’t reached his musical peak. In other words, there’s still a lot of guitar playing to be done. --- Brian D. Holland, bostonblues.com

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1-All the Love in the World
2-Cryin' Hey!
3-A Thrill to Be Alive
4-Joaquin Riley
5-My Father's Son
6-They Call Me Monster Mike
7-Everybody
8-One of Those Days
9-This High, High Cost of Leaving
10-Searching for an Angel
11-Give Me Tim
12-Just Like A Fool
13- My Daily Wish

Musicians:
Monster Mike Welch – guitar, vocals
Nick Moss – guitar
Anthony Geraci – piano
Michael “Mudcat” Ward – bass
Warren Grant – drums

Cryin’ Hey! is the CD I’ve wanted to make since I was thirteen years old. I’ve made a lot of different kinds of CDs in my short career, but I’ve never had a chance to make a record like this. When Philippe Langlois at DixieFrog approached me with the idea of a straight blues record in 2004, I felt like I had been offered a chance to come home, and I immediately started writing material and assembling my dream blues band.

The songs were much easier to write than I had initially feared. Over the years, my writing had become more obscure, complex, and rock-oriented, partly because my tastes had changed and partly because I was very insecure about my ability as a young white boy to tell the kind of direct, heartfelt stories that the great blues singers and writers told so effortlessly. The opportunity to make a blues record forced me to look at my life differently, and I realized that as a 26 year-old man trying to make the best life possible with a wife, new baby, and money problems, I had stories to tell. Within a couple of weeks, I had most of the CD written, and I’d already tested the new songs on gigs. The directness of the songs also meant that they were much easier for me to sing than anything I’d written before, and if I were to single out the thing I’m most proud of on Cryin’ Hey!, it would be the growth in my vocals.

The band members were also easy to choose. Anthony Geraci, Mudcat Ward, and Warren Grant are musicians and friends that I’ve worked with in different situations for ten years or more, and were obvious choices. Nick Moss is among the very best blues guitarists I’ve ever heard, and someone I’d always wanted a chance to work with. Nick lives in Chicago, but he just happened to have a couple of days off during his Northeast tour on the exact two days we were scheduled to record in the Boston area, so he was added to the list. Nick is a real-deal Chicago bluesman whose playing reminds me of Earl Hooker and Jimmy Rogers, Warren’s specialty is the Houston shuffle in the vein of Sonny Freeman on the great B.B. King and Duke Records sides, and Mudcat, Ant, and I are part of the New England tradition, which has elements of both the Chicago and Texas approaches with its own flavor. All of us bear our regional stamps, but none of us are limited to any one approach, so I was blessed with a band behind me that could tackle any kind of blues I threw at it.

With songs and musicians I was comfortable with, the recording was the best session I’ve ever been involved with. We recorded the music completely live in the studio in about six hours, with no overdubs necessary. I was inspired to play more guitar than I have on any record since 1996’s These Blues Are Mine, which feels good. Listening back to it, I hear everything I’ve learned from my blues guitar heroes, especially early Buddy Guy, B.B. King, Hubert Sumlin, Otis Rush, Magic Sam, Freddy King, Gatemouth Brown, Robert Lockwood, and Muddy Waters. Cryin’ Hey! gave me a chance to pay tribute to them and all of the other great blues singers and musicians, and to try to make the listener feel the way those people made me feel with their music. --- Monster Mike Welch, Album Notes

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