1 	Dry Road Blues 	03:32
2 	Any Place is Paradise 	03:20
3 	Smokestack Lightning 	03:53
4 	Noodle Bar 	04:17
5 	Rhumbatism 	03:26
6 	Hard Hat 	04:50
7 	Yes It Is 	04:09
8 	Crack in the Wall 	03:59
9 	Bluestring 	04:20
10 	Zeitgeist Boogie 	03:44
11 	Sweet Dreams 	03:48
12 	Find You 	05:01
13 	Diggin' Down 	04:04

Mick Clarke - primary artist

Britain’s Mick Clarke is an experienced guitar player and vocalist who records at home ‘deep in the Low Weald Badlands’…or Surrey as we Brits know it! What started out as an instrumental album grew into a mix: five instrumentals, ten originals, three covers. Stated as being recorded by Mick and the ‘Rockfold Rhythm Section’ the fact that no credits appear suggests that Mick played everything here and the tongue-in-cheek ‘bass and drums by Ebay’ comment in the sleeve notes adds to the suspicions. Mick is well known for a rough and ready style and he states that he gave his ‘1963 Watkins valve amp a good rattling – anything to avoid a clean sound’ and he certainly achieves that on some typical Brit blues and boogie.

Taking the instrumentals first “Bluestring” takes a riff from the old Graham Bond tune “Walking In The Park” as its starting point and grooves along pretty well; Don Gibson’s “Sweet Dreams” was reworked by the late Roy Buchanan and Mick follows the same approach though he does go a little over the top; “Rhumbatism” has keyboards added as Mick duets with himself, some dirty riffs over a rhumba beat laid down by the drums and bass; the title track closes the CD in churning blues-rock mode but for this reviewer the pick of the instrumentals is the attractive “Yes It Is” on which the drums work well and piano appears in the middle eight before Mick’s guitar returns to dominate the outro.

Mick is not a particularly strong vocalist and he self-deprecatingly refers to his ‘cheek’ in taking on Howling Wolf on a version of “Smokestack Lightning” which thunders along in full-on rock mode, Mick adding some echo to his vocal. The other cover is of no lesser a star than Elvis and “Any Place Is Paradise” is covered here with some pretty rough and ready guitar which Mick claims is an attempt to play like Scotty Moore. Amongst the other songs Mick gets all Led Zep on us in “Zeitgeist Boogie”, recalls attending a ZZ Top concert in “Noodle Bar” and targets some contemporary issues such as Donald Trump’s election and Brexit in “Hard Hat” which has some excellent slide work and is the pick of the vocal tracks here.

Fans of Mick’s work will enjoy this. For folk new to Mick this album blends his usual tough style of blues and boogie with some instrumentals that vary the diet somewhat. ---John Mitchell, bluesblastmagazine.com

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01 - No Way To Get Along [00:03:21]
02 - Complicated Woman [00:04:17]
03 - The Thing [00:03:58]
04 - Stretch [00:03:51]
05 - Lovin' Heart [00:03:12]
06 - Rain [00:04:21]
07 - See You Later Alligator [00:02:49]
08 - Smoked Ham Blues [00:04:57]
09 - Steady Road [00:03:43]
10 - Fuzz [00:03:27]
11 - Mr W's Holiday [00:03:29]
12 - Crazy Blues [00:04:28]

Mick Clarke – guitar, vocals

You can’t go wrong with Mick Clarke even when his endeavors turn mental like here, on the album which deliberately eschews the tentative elegance of 2013’s "Ramdango" in favor of more gutsy feel. There is an acoustic-laced funereal walk of “Mr W’s Holiday” but the title piece turns its classic lyrics on their head to proclaim that “there gonna be a change in me” and, closing the circle, to link the songs chain back to opener “No Way To Get Along” where a catchily insistent riff dances around the simplest of beats before the strings are fiercely mauled and caressed with a slider.

Such a primal approach also informs “See You Later Alligator” and its evil twin “The Thing” on the rocker side of things, while the piano-sprinkled “Complicated Woman” reflects the Chicago look at the titular genre, the more playful Windy City jive filling “Rain” with its surface tension pitched tight. This playfulness carries the easy roll of “Steady Road” prompting one to want to join the veteran Brit on his guitar-wielding journey, especially after “Lovin’ Heart” struts its instrumental, organ-backed wares in a hot ‘n’ nasty way. “Fuzz” covers its swing in the swampy punk dirt, though, and adds a bottom-end twang and frilly curlicues for good, wild measure. “Can’t get my rest,” admits Mick Clarke, whose itch is the listener’s pleasure. Long may he rave. --- dmme.net

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