1 	Doctor In The House 	
2 	Somewhere Down The Line 	
3 	Almost 	
4 	Rusty Old Model T 	
5 	Bluesmans Lullaby 	
6 	Morning After 	
7 	Done Me Wrong 	
8 	Together 	
9 	Hammered By The Blues 	
10 	Playing Rough 	
11 	Close My Eyes 	
12 	Borrowed Time

Mark Cameron - vocals, guitar
Rick Miller - harmonica, vocals
Scott Lundberg - bass, vocals
Dan Schroeder - drums
Sheri Cameron - sxophone, flute, percussion

Veteran Southern Minnesota-based singer/songwriter/guitarist Mark Cameron follows up on his well-received 2014 release, One Way Ride To The Blues, with this disc, which takes his recording catalog to a new level as it guarantees to keep you moving on the dance floor.

Possessing a clear, powerful voice and excellent six-string chops, Cameron cut his teeth in the folk-rock scene during the ’70s through the ’90s, during which he released five studio albums. He’s been a consistent top finisher in competitions since making the switch to the blues and, like Playing Rough clearly demonstrates, his songwriting talents are top notch. Since this CD – the fourth in his blues arsenal — was released in early January, it’s been rising steadily on charts and radio playlists.

His tight, four-piece backing unit consists of Bill “Killer” Keyes on harp, Scott Lundberg on bass and Dan Schroeder on drums. The band delivers a unique sound thanks to the presence of Mark’s wife, Sheri, who contributes flute throughout, adding an instrument that’s virtually disappeared from rock and blues after being a mainstay in popular music of the ’60s. They’re augmented by backup singers Sara Renner and Tonia Hughes, washboard and bones player Scott Sansby and keyboard player Jason Craft. Percussionist Greg Schutte and bassist Nick Salisbury, who engineered, produced and mixed the disc, also make guest appearances.

A brief guitar lick kicks off “Doctor In The House,” a moderately paced boogie that sings about how “the blues is goin’ around.” The song’s brief, but gives Keyes and Cameron plenty of space to make their intentions clear during solos. “Somewhere Down The Line” is a guitar-driven funk atop a medium shuffle beat that tells the story of waiting for revenge after having been sold out by someone who billed himself as “lightning in a jar.”

The slow Memphis-style blues “Almost” follows. It’s a dance-floor grinder, a love song full of regret, as it details a relationship that simply doesn’t work. Every time the singer gets close, the woman runs away. Cameron’s slide work delivers a Delta feel for a paean to a “Rusty Old Model T” before the sweetest tune on the disc, the seven-minute “Bluesmans Lullaby,” an honest look at both positives and negatives in a musician’s life. Sheri’s flute and Keyes’ harp add a sweet touch to the bittersweet mix, which builds in intensity as it progresses. It was written as a tribute to B.B. King.

The feel continues for the opening of “Morning After,” but the song quickly evolves into a straight-ahead blues as it describes a woman who obviously has another man on the line and a feeling that lasts for days rather than a few hours. Cameron’s mid-tune solo, which alternates single-note runs with chords, is stellar. Like the title states, “Done Me Wrong” delivers another message of abandonment with a stripped down Hill Country feel before the rock/gospel flavored “Together,” which is enhanced by the backup singers.

The straight-ahead 12-bar “Hammered By The Blues” gives Keyes plenty of space to stretch out as Cameron sings about the aftermath of unknowingly hooking up with a woman who has a jealous and angry man at home. The title cut, “Playing Rough,” picks up the tempo as it speaks of another bad relationship before Mark goes a capella for “Close My Eyes,” a modern-day field holler. The slow blues ballad “Borrowed Time” concludes the set as it describes a woman who changes lovers frequently, but can’t seem to get the old one out of her life.

Available through CDBaby, this album delivers completely original material throughout. Even the abundant relationship material has a fresh feel. If you’re tired of the old one-four-five, this one’s for you. ---Marty Gunther, bluesblastmagazine.com

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01. The Wild Side - 4:17
02. Cheating - 5:08
03. Something On the Side - 3:58
04. My Way - 3:41
05. Prelude (In This House) - 0:42
06. In This House - 4:28
07. Life Is Good When You've Got the Blues - 2:48
08. Are You Gonna Dance - 4:16
09. Somebody Once - 3:56
10. Never Get Enough - 5:14
11. One Way Ride to the Blues - 5:38

Mark Cameron – vocals, guitar
Bill Keyes – harmonica, vocals
Scott Lundberg – bass, vocals
Dan Schroeder – drums
Sheri Cameron – flute, percussion

The third studio album from Mark Cameron brings a stripped-down grit that makes for a down-and-dirty bluezy biscuit. Loaded with searing harp licks and sassy guitar hooks, the band shows why they are a festival and club favorite. They have consistently been top finishers in blues competitions and its the original song writing that puts the Mark Cameron Band over the top. This new work captures the true feel of their live performances from the naughty and suggestive "Something On The Side" to the Gospel inspired classic "In This House". The inspired work of Bill Keyes on Harp makes this a tour-de-force for Blues harp lovers. The flute playing of Sheri Cameron adds a Woodstock-era flair to the work as well. The band has been called a "treasure" by reviewers from Blue Monday Monthly. Mark Camerons colorful lyrics set the tone for another voyage into their boogie-based hipster-swing world. ---cdbaby.com

Minneapolis based Mark Cameron offers up a full serving of original material on this disc. A guitarist who possesses a strong, silky voice with lots of range, his career spans three decades in the Twin Cities, where he issued five records as a folk/rock performer before switching over to the blues full-time about five years ago.

“One Way Ride To The Blues” is his third CD in this genre. It features a strong collection of originals styled to get folks off their chairs and out onto the dance floor. Joining Cameron are Bill Keyes on harmonica and the rock-solid rhythm section of Scott Lundberg on bass and John Benedict on drums. Cameron’s wife, Sheri, contributes on flute.

Available through Amazon, CDBaby or the band’s website, the album kicks off with “The Wild Side.” Not to be confused with the Lou Reed rock classic, this is a bright, upbeat original blues that begins with a tasty guitar riff and strong accents from the rhythm section. This one tells the story of a woman whose eyes bare her free-spirited plans: “You want to take me to the wild side/As you’re tossing back your hair/You want to send me on a wild ride/You’ve got plenty to share.”

Two songs about illicit romance follow. “Cheating” is a shuffle dealing with the emotions the singer faces after realizing the love of his life wasn’t playing by the rules. It features a smoky harp solo that leads into a modulated guitar riff. The funky “Something On The Side,” which features steady triplets on the skins, carries the theme forward, while analyzing the woman from the outside looking in: “She might be the girl next door/But you get more than you’ve bargained for.”

“My Way” tells the tale of a woman who puts herself on display. She’s got a man at home who won’t believe a word she has to say. The singer wants to start a relationship – but only if they do it HIS way. “In This House” kicks off with an uncredited 42-second keyboard prelude before Cameron begins a song of praise of a home where folks have got everything they need. It’s an uplifting tune that could be interpreted in different ways. If you’re religious, the message could be spiritual. If you’re not, a positive affirmation of a loving family. A loping guitar line drives “Life Is Good When You’ve Got The Blues,” a clever, different take on several common themes. Keyes provides a substantial harp solo mid-tune.

“Are You Gonna Dance?” describes a good night at roadhouse, where no one is standing still. Cameron provides a brief, but flavorful guitar break. Up next is the catchy rocker “Somebody Once,” about a baseball phenom turned gas station attendant whose career was cut short by a knee injury and a about a former go-go dancer who’s seen better days. The message: “If you’ve got it/Enjoy it while you can/You can forget right now/About making any plan.” The disc concludes with “Never Get Enough,” a country-style number that features interplay between Cameron on acoustic guitar and Keyes on harp, and the album’s slow-burning title cut, “One Way Ride To The Blues.”

Nominated for Album Of The Year by the Minnesota Blues Society, this disc is well-conceived, well-produced and a fun trip from beginning to end. ---markcameronmusic.net

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