1 	Beauty 	
2 	Blow Your Mind 	
3 	Marijuana 	
4 	Tell Me One More Thing 	
5 	That's The Way I Love You 	
6 	Low Down 	
7 	Take It Easy 	
8 	I Love The Way You Do 	
9 	It Don't Have To Give You The Blues 	
10 	Lament 	
11 	Say Goodbye 	
12 	Slamming

Bass Guitar – Norman Watt-Roy
Drums – Dylan Howe
Guitar, Vocals – Wilko Johnson
Harmonica – Steve Weston
Keyboards – Mick Talbot

‘Blow Your Mind’ is Wilko’s first album of new material in 30 years, and is the sound of a man feeling very much alive.

Joining Wilko on the album are his long-standing band; Norman Watt Roy on bass and Dylan Howe on drums along with producer Dave Eringa who worked with them on the gold-selling album ‘Going Back Home’ with Roger Daltrey. Describing the record as ‘The album I never thought I’d get to write’ it deals with the trials and tribulations that he faced in the last five years, songs such as Marijuana and Take It Easy deal very directly with the terminal diagnosis he was given.

Speaking about the first sets of lyrics that he’d written in three decades Wilko says “It’s tricky when you get to seventy years old, because what am I supposed to be singing? “I love you, baby, but you done me wrong?” Come on! That’s kind of a problem. But I never thought that I’d be the sort of person to write songs about different sorts of real-life experiences until I got sick”.

Anyone expecting that Wilko’s particular brand of R&B to be softened by such heartfelt lyrics is in for a surprise, if anything his guitar style of ‘the chop’ as he calls it, is even more aggressive. The introspection of some of the tracks on the album is more than balanced out by the good time upbeat party feel of the title track, Beauty and I Love The Way You Do that have the urgency of Wilko’s earliest work with Dr Feelgood. ---Product Description, amazon.com

Blow Your Mind is where Wilko Johnson gets back to business, writing his first collection of original songs in 30 years. A lot happened in those three decades, particularly the 2010s, when Johnson battled a rare form of pancreatic cancer which was misdiagnosed and eventually cured. Johnson's public profile grew during this period in the mid-2010s, thanks in part to the storming 2014 album Going Back Home, a collaboration with Roger Daltrey that helped push Johnson back into the spotlight. Julien Temple's 2015 documentary The Ecstasy of Wilko Johnson, which chronicled the guitarist's illness and comeback, sealed the deal on the revival, but Johnson didn't get a chance to cut a brand-new record until 2018. Blow Your Mind benefits from that delay, as Johnson had the time to write 12 solid senders while his band continued to settle into their skin. Johnson doesn't write about his brush with death so much as his current perspective. He's a man who knows the end could arrive at any time, so he's choosing to celebrate living, having some fun and fire as he does so. This spirit helps lift Blow Your Mind above its occasional mannerisms -- the production is slightly too clean and punchy, the songs are proudly within the blues tradition -- because the songs are infused with sharp details and performed with gusto. It's heartfelt and gutsy, performed without flash but with steely spirit, feelings that elevate Blow Your Mind above many of the other records in Johnson's solo discography. ---Stephen Thomas Erlewine, AllMusic Review

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    CD 1:
    Roxette 02:59
    She Does It Right 02:33
    I Keep It To Myself 03:22
    Ice On The Motorway 02:44
    Back In The Night 03:08
    Turned 21 02:42
    Paradise 04:40
    Barbed Wire Blues 04:28
    Dr. Dupree 04:15
    Sneaking Suspicion 03:42
    Living In The Heart Of Love 03:44
    Some Kind Of Hero 02:36

    CD 2:
    Twenty Yards Behind 02:13
    Out In The Traffic 04:33
    Cairo Blues 03:51
    The Hook 02:58
    Keep On Loving You 03:17
    All Right 03:24
    When I'm Gone 06:11
    Come Back And Love Me 03:17
    She's Good Like That 05:32
    The Beautiful Madrilena 03:57
    Underneath Orion 06:01
    Down By The Waterside 03:18
    I Really Love Your Rock 'n' Roll 03:08

Best known as the guitarist in Dr. Feelgood, one of British pub rock's greatest bands, Wilko Johnson went on to a long solo career playing the kind of rootsy, R&B-based rock & roll he loved. Born John Wilkinson (which he inverted to come up with his stage name) in 1947, Johnson grew up in the coastal Canvey Island area, and played around the local music scene during the '60s (often in jug bands). He studied at Newcastle University beginning in 1967, but returned home during breaks to keep up his musical activities.

In 1971, after returning from a trip to India, he joined the band that became Dr. Feelgood, and quickly became one of their focal points thanks to his maniacally intense stage presence. Dr. Feelgood played locally for a couple of years and made their debut in London in the summer of 1973; their distinctively scruffy image and menacing energy soon made them a hot commodity on the pub rock circuit. The band released its debut album, Down by the Jetty, in 1975; Johnson stayed for two more studio albums (Malpractice and Sneakin' Suspicion) and the chart-topping live document Stupidity, contributing a number of fine original songs. However, tensions between Johnson and the rest of the group led to his departure toward the end of 1977.

Johnson soon formed a backing band called the Solid Senders, which featured keyboardist John Potter, bassist Steve Lewins, and drummer Alan Platt. They signed to Virgin in 1978 and released the LP Solid Senders that year. The following year, Johnson joined Ian Dury's Blockheads, where he remained until 1980; there he met bassist Norman Watt-Roy, who later became a regular collaborator. In early 1981, Johnson released his second album, Ice on the Motorway, and two years later issued the EP Bottle Up and Go! with Lew Lewis; several small-scale LPs, mostly for European labels, followed over the '80s: 1984's Pull the Cover, 1985's Watch Out!, 1987's Call It What You Want, and 1988's Barbed Wire Blues. The latter was the first recording with his new regular group, the Wilko Johnson Band, featuring Watt-Roy and drummer Salvatore Ramundo. Ramundo was replaced in 1988 by Steve Monti (ex-Curve) for the Barbed Wire Blues tour and remained in the band -- which toured almost literally nonstop throughout Europe and Japan for the next decade -- until he tired of touring and was replaced by ex-Blockhead Dylan Howe. Johnson finally had the opportunity to release another album, Going Back Home for Mystic.

There has been renewed interest in Johnson's career in the 21st century, due largely to director Julien Temple's Oil City Confidential, a documentary about Dr. Feelgood and Johnson. The film appeared on the festival circuit, where it drew rave reviews, as did the soundtrack. As a result, two volumes of The Best of Wilko Johnson were released in 2010, as well as a remastered reissue of Barbed Wire Blues. Following a 2011 tour on which he supported the Stranglers, 2012 saw Johnson publish his autobiography, Looking Back on Me.

In early 2013, Johnson was diagnosed with pancreatic cancer and announced that his televised performance on the show Madness Live: Goodbye Television Centre would be his last. However, the summer brought impromptu live appearances with Watt-Roy and Howe in Essex, and by the end of that November he had recorded an album of re-interpretations of material from his back catalog in collaboration with the Who's Roger Daltrey. Ahead of the release of Going Back Home -- not to be confused with the aforementioned Mystic album of the same title -- Johnson performed it in its entirety with Daltrey at a packed Shepherd's Bush Empire in London toward the end of February 2014. ---Steve Huey, allmusic.com

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