01. Concerto no.12 in D (Allegro, ma non presto-Adagio-Vivace
02. Concerto no.12 in D (Largo)
03. Concerto no.12 in D (Allegro, ma non presto)
04. Concerto no.9 in e (Allegro)
05. Concerto no.9 in e (Largo)
06. Concerto no.9 in e (Allegro)
07. Concerto no.9 in e (Largo)
08. Concerto no.9 in e (Allegro)
09. Concerto no.2 in a (Allegro)
10. Concerto no.2 in a (Largo)
11. Concerto no.2 in a (Allegro)
12. Concerto no.6 in g con una pastorale per il Ss. Natale (Grave)
13. Concerto no.6 in g con una pastorale per il Ss. Natale (Largo)
14. Concerto no.6 in g con una pastorale per il Ss. Natale (Vivace)
15. Concerto no.3 in E (Vivace)
16. Concerto no.3 in E (Largo-Allegro-Adagio)
17. Concerto no.3 in E (Allegro)
18. Concerto no.8 in c (Vivace-Adagio)
19. Concerto no.8 in c (Allegro)

Mariana Sirbu – violin
Antonio Perez – violin (Nos. 2,3,6)
I Musici

Giuseppe Torelli (1658–1709) was an Italian violist and violinist, pedagogue, and composer, who ranks with Arcangelo Corelli among the developers of the Baroque concerto and concerto grosso.

Torelli was born on 22nd April 1658 in Verona. It is not known with whom he studied violin, though it has been speculated that he was a pupil of Giacomo Antonio Perti in Bologna. On 27th June 1684, at the age of twenty-six, he became a member of the Accademia Filarmonica as suonatore di violino. He directed the capella at the cathedral (San Petronio) of Bologna, 1686–1695. He was maestro di concerto to the court of Georg Friedrich II, Margrave of Brandenburg-Ansbach in 1698-1699 where he presented an oratorio (December 1699) before returning again to Bologna (1701) to become a violinist in the cappella musicale at San Petronio.

He died on 8th February 1709 in Bologna, where his manuscripts are conserved in the San Petronio archives. ---last.fm

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1. Concerto No 1 in G major - Presto - Adagio	 1:50
2. Concerto No 1 in G major - Allegro	1:12
3. Concerto No 1 in G major - Adagio	1:16
4. Concerto No 1 in G major - Allegro	1:44
5. Concerto No 2 in E minor - Allegro	1:38
6. Concerto No 2 in E minor - Adagio	1:40
7. Concerto No 2 in E minor - Presto		1:13
8. Concerto No 3 in B minor - Allegro	1:4
9. Concerto No 3 in B minor - Adagio	1:09
10. Concerto No 3 in B minor - Allegro	1:25
11. Concerto No 4 in D major - Adagio	0:22
12. Concerto No 4 in D major - Allegro	1:00
13. Concerto No 4 in D major - Adagio	1:43
14. Concerto No 4 in D major - Allegro	1:25
15. Concerto No 5 in G minor - Presto	1:00
16. Concerto No 5 in G minor - Presto - Adagio	0:45
17. Concerto No 5 in G minor - Allegro	1:36
18. Concerto No 6 in C minor - Allegro	2:03
19. Concerto No 6 in C minor - Adadio	1:36
20. Concerto No 6 in C minor - Allegro	1:26
21. Concerto No 7 in C major - Allegro	1:04
22. Concerto No 7 in C major - Adagio e staccato	1:07
23. Concerto No 7 in C major - Allegro	1:23
24. Concerto No 8 in F major - Adagio	0:46
25. Concerto No 8 in F major - Allegro	1:39
26. Concerto No 8 in F major - Adagio	1:20
27. Concerto No 8 in F major - Allegro	1:17
28. Concerto No 9 in A minor - Presto	1:39
29. Concerto No 9 in A minor - Adagio	1:02
30. Concerto No 9 in A minor - Allegro	1:31
31. Concerto No 10 in D minor - Adagio	2:11
32. Concerto No 10 in D minor - Allegro	0:42
33. Concerto No 10 in D minor - Largo	1:19
34. Concerto No 10 in D minor - Presto	1:35
35. Concerto No 11 in B flat major - Allegro	1:04
36. Concerto No 11 in B flat major - Largo e staccato	1:37
37. Concerto No 11 in B flat major - Allegro	1:32
38. Concerto No 12 in A major - Allegro - Adagio	1:46
39. Concerto No 12 in A major - Largo	1:06
40. Concerto No 12 in A major - Allegro	1:54
41. Sonata a 4 in A minor - Largo - Allegro	2:56
42. Sonata a 4 in A minor - Grave	1:51
43. Sonata a 4 in A minor - Allegro	2:24

Performer:
Charivari Agreable
Kah-Ming Ng – conductor

The "original Brandenburg concertos" subtitle of this release means less than it seems to suggest; the works have nothing to do with Bach's Brandenburg Concertos, which didn't even have that name until many years after the fact. The connection is that Torelli's concertos here were dedicated, in 1698, to Sophie Charlotte, Electress of Brandenburg-Ansbach and eventually the leader honored by the Charlottenburg castle in Berlin. Bach's concertos were dedicated to the Margrave of Brandenburg, member of another branch of the Prussian ruling line. The big news here is not the Brandenburg connection but the entirely fresh performances of Torelli's Op. 6 concertos. This set of 12 pieces (rounded out here by a short sonata à quattro) was a key development in the emergence of the concerto grosso as a genre; some of them can be played with one instrument to a part, but the Concerto in D minor, Op. 6, No. 10 (tracks 31-34), contains passages specifically marked as solos. Often these pieces seem rather shapeless in performance, but the historical-performance group Charivari Agréable makes a daring move here, and it pays off: relying on the rather thin evidence that Torelli would have had an opera orchestra available at the time, and on what they call "our deep immersion in the historical performance practice of the period," they double some of the string lines with recorder, oboe, or bassoon. This works like a charm, and it's a bit hard to figure out why; the effect is a little mysterious. It is not done with the intent of creating a symphonic effect. Instead, the doublings are subtle, used mostly to emphasize the interior lines that are drowned out by a phalanx of glittering violins. The entire texture takes on a density that hasn't been heard in these works before, and the very precise, lively lines forged by keyboardist and director Kah-Ming Ng make the music into something kaleidoscopic instead of shapeless. Ng in his booklet notes (in English only) states "the hope that Torelli's inventive inner-part writing might be better heard, his melodic genius more appreciated, and his full stature as a protagonist in the pantheon of concerto composers vindicated at last." These aims are startlingly realized. --- James Manheim, All Music Guide

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CD1
1. Concerto, for trumpet & strings in D major (Etienne Roger 188): Allegro 
2. Concerto, for trumpet & strings in D major (Etienne Roger 188): Adagio 
3. Concerto, for trumpet & strings in D major (Etienne Roger 188): Presto 
4. Sonata for trumpet, strings & continuo, G. 1: Andante 
5. Sonata for trumpet, strings & continuo, G. 1: Allegro 
6. Sonata for trumpet, strings & continuo, G. 1: Grave 
7. Sonata for trumpet, strings & continuo, G. 1: Allegro 
8. Sinfonia for trumpet, strings & continuo in D major ('Trumpet Concerto'), G. 2: Allegro 
9. Sinfonia for trumpet, strings & continuo in D major ('Trumpet Concerto'), G. 2: Grave 
10. Sinfonia for trumpet, strings & continuo in D major ('Trumpet Concerto'), G. 2: Allegro 
11. Sinfonia for trumpet, strings & continuo, G. 3: Adagio 	
12. Sinfonia for trumpet, strings & continuo, G. 3: Grave/Allegro 	
13. Sinfonia for trumpet, strings & continuo, G. 3: Allegro 
14. Sinfonia a 4, for trumpets, violins & continuo, G. 4: Presto 
15. Sinfonia a 4, for trumpets, violins & continuo, G. 4: Adagio e spiccato/Presto 
16. Sinfonia a 4, for trumpets, violins & continuo, G. 4: Allegro 
17. Sonata a 5, for trumpet, strings & continuo, G. 5: Adagio 
18. Sonata a 5, for trumpet, strings & continuo, G. 5: Allegro e staccato 
19. Sonata a 5, for trumpet, strings & continuo, G. 5: Adagio 	
20. Sonata a 5, for trumpet, strings & continuo, G. 5: Allegro 
21. Sonata a 5, for trumpet, strings & continuo, G. 6: Vivace 
22. Sonata a 5, for trumpet, strings & continuo, G. 6: Adagio/Largo 
23. Sonata a 5, for trumpet, strings & continuo, G. 6: Allegro come stà 
24. Sonata a 5, for trumpet, strings & continuo in D major, G. 7: Grave/Allegro 	
25. Sonata a 5, for trumpet, strings & continuo in D major, G. 7: Grave 
26. Sonata a 5, for trumpet, strings & continuo in D major, G. 7: Allegro 
27. Sonata a 5, for trumpet, strings & continuo in D major, G. 7: Grave 	
28. Sonata a 5, for trumpet, strings & continuo in D major, G. 7: Allegro 	
29. Sinfonia for trumpet, strings & continuo, G. 8: Allegro 
30. Sinfonia for trumpet, strings & continuo, G. 8: Adagio 
31. Sinfonia for trumpet, strings & continuo, G. 8: Allegro 
32. Sinfonia for trumpet, strings & continuo, G. 8: Allegro 
33. Sinfonia for trumpet, strings & continuo in D major, G. 9: Allegro           play
34. Sinfonia for trumpet, strings & continuo in D major, G. 9: Prestissimo/Adagio 
35. Sinfonia for trumpet, strings & continuo in D major, G. 9: Allegro 
36. Sinfonia for trumpet, strings & continuo in D major, G. 10: Allegro 
37. Sinfonia for trumpet, strings & continuo in D major, G. 10: Presto/Adagio 
38. Sinfonia for trumpet, strings & continuo in D major, G. 10: Allegro
39. Sinfonia for trumpet, strings & continuo in D major, G. 10: Adagio/Allegro   play

CD2
1. Sonata a 5 for trumpet, strings & continuo, G. 11: Allegro 
2. Sonata a 5 for trumpet, strings & continuo, G. 11: Presto/Adagio 
3. Sonata a 5 for trumpet, strings & continuo, G. 11: Allegro 
4. Sonata a 5 for trumpet, strings & continuo in D major, G. 13: Allegro 
5. Sonata a 5 for trumpet, strings & continuo in D major, G. 13: Largo/Allegro/Largo 
6. Sonata a 5 for trumpet, strings & continuo in D major, G. 13: Allegro 
7. Sinfonia before an opera, for trumpet, strings & continuo, G. 14: Allegro 
8. Sinfonia before an opera, for trumpet, strings & continuo, G. 14: Largo e spicco 
9. Sinfonia before an opera, for trumpet, strings & continuo, G. 14: Allegro 
10. Sonata a 5, for 2 trumpets, violins & continuo, G. 15: Presto 
11. Sonata a 5, for 2 trumpets, violins & continuo, G. 15: Adagio/Presto 
12. Sonata a 5, for 2 trumpets, violins & continuo, G. 15: Allegro 	
13. Sinfonia for trumpets, violins & continuo, G. 16: Allegro 
14. Sinfonia for trumpets, violins & continuo, G. 16: Grave/Allegro 
15. Sinfonia for trumpets, violins & continuo, G. 16: Allegro 
16. Concerto for 2 trumpets, strings & continuo in D major, G. 18: Largo assai 
17. Concerto for 2 trumpets, strings & continuo in D major, G. 18: Allegro            play
18. Concerto for 2 trumpets, strings & continuo in D major, G. 18: Adagio e staccato 
19. Concerto for 2 trumpets, strings & continuo in D major, G. 18: Allegro 
20. Sinfonia for 2 trumpets, strings & continuo, G. 20: Allegro 
21. Sinfonia for 2 trumpets, strings & continuo, G. 20: Adagio/Largo e staccato 
22. Sinfonia for 2 trumpets, strings & continuo, G. 20: Allegro 
23. Sinfonia for 2 trumpets, strings & continuo, G. 20: Allegro 
24. Sinfonia for 2 trumpets, strings & continuo, G. 21: Presto 
25. Sinfonia for 2 trumpets, strings & continuo, G. 21: Adagio e staccato/Allegro staccato e piano 
26. Sinfonia for 2 trumpets, strings & continuo, G. 21: Allegro 
27. Sinfonia for 2 trumpets, strings & continuo, G. 22: Vivace e staccato 
28. Sinfonia for 2 trumpets, strings & continuo, G. 22: Largo e staccato/Vivace/Grave 
29. Sinfonia for 2 trumpets, strings & continuo, G. 22: Allegro 
30. Sinfonia for 2 trumpets, strings & continuo in D major, G. 23: Allegro          play
31. Sinfonia for 2 trumpets, strings & continuo in D major, G. 23: Largo/Allegro 
32. Sinfonia for 2 trumpets, strings & continuo in D major, G. 23: Vivace 
33. Concerto for 2 trumpets, strings & continuo in D major, G. 24: Allegro 
34. Concerto for 2 trumpets, strings & continuo in D major, G. 24: Largo e staccato/Presto 
35. Concerto for 2 trumpets, strings & continuo in D major, G. 24: Allegro

Thomas Hammes (trumpet)
Peter Leiner (trumpet 2)
European Chamber Soloists
Nicol Matt (conductor)

Torelli was born in Verona but studied composition in Bologna under Perti whilst becoming an orchestral string player. He composed concertos fairly extensively in various forms using titles such as ‘sinfonia’, ‘concerto’ and ‘sonata’ rather arbitrarily. The above listing may look confusing but essentially here we have nineteen trumpet concerti and three for two trumpets, generally with strings and harpsichord accompaniment.

The format is quite varied and these works have three, four or five movements. Notably, the Sinfonia G.11 has a middle (of three) movements lasting thirty seconds marked “presto/adagio” and there is precisely fifteen seconds at each tempo. The Sinfonia in D G.23 is perhaps the most striking work and also one of the more substantial at over six minutes! The two discs of just under 100 minutes have no less than 74 tracks, the longest of which fails to break the two and half minute barrier. Whilst such “minimalism” precludes major substance, these are attractive works which are full of invention and which are grateful for the solo instruments.

Apart from the prevailing importance of the trumpet in Bologna in the late 17th century, it is unclear to me why (or for whom) Torelli composed so much for the trumpet. Nevertheless there is no doubting his importance in this respect and these works seems to have done more than his other compositions to assure him a place in musical history.

In performance terms these are appropriately small-scale (there are about ten orchestral players in total) and based on modern instruments. Thomas Hammes is a young orchestral trumpeter currently with the SWR Radio Symphony Orchestra in Stuttgart and he plays with relish and fine control. Torelli’s demands are variably onerous and presumably reflect some instrumental limitations of the time. The orchestral playing is refined and spirited under another young artist, Nicol Matt, who chooses not to direct from the harpsichord. The recorded sound is bright and admirably balanced.

The documentation consists of a rather woolly essay by Matthieu Kuttler which suffers from an unidiomatic English translation. The soloists and conductor are given brief biographies in English (only) while the orchestra is described in German (only); presumably this was not intentional. Also, the composer Giacomo Antonio Perti is incorrectly given as “Petri” in the booklet.

Despite the vagaries of the documentation, at “Brilliant” (i.e. superbargain) price this set is excellent value. A highly recommendable way of exploring some worthwhile late 17th century music. It deserves the attention of anyone interested in the development of the trumpet. ---Patrick C Waller, musicweb-international.com

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