Classical The best music site on the web there is where you can read about and listen to blues, jazz, classical music and much more. This is your ultimate music resource. Tons of albums can be found within. Thu, 25 Apr 2024 09:44:09 +0000 Joomla! 1.5 - Open Source Content Management en-gb Lepo Sumera - Mushroom Cantata & Other Choral Works (2005) Lepo Sumera - Mushroom Cantata & Other Choral Works (2005)

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1. Concerto per voci e strumenti (Concerto for voices and instruments): I. Furioso	3:35
2. Concerto per voci e strumenti (Concerto for voices and instruments): II. Moderato	6:09	
3. Concerto per voci e strumenti (Concerto for voices and instruments): III. Allegro misterioso	4:44
4. Kui tume veel kauaks ka sinu maa (Though Your Homeland May Be in Dark For Long)	3:25	
5. Seenekantaat (Mushroom Cantata): I. Carmen veris (Spring Song)	6:09	
6. Seenekantaat (Mushroom Cantata): II. Timor (Fear)	4:23	
7. Seenekantaat (Mushroom Cantata): III. Carmen autumnus (Autumn Song)	5:54	
8. Seenekantaat (Mushroom Cantata): IV. Luxuria	4:34
9. Saare piiga laul merest (Island Maiden's Song from the Sea)	29:58

Raivo E. Tamm, actor
Jan Uuspõld, actor
Pille Lukin, actor
Guido Kangur, actor
Ülle Kaljuste, actor
Külle Teetamm, actor
Andero Ermel, actor
Janika Lentsius, flute
Madis Metsamart, percussion
Kadri-Ann Sumera, piano
Estonian Philharmonic Chamber Choir
Tallin Chamber Orchestra
Tõnu Kaljuste, conductor


Lepo Sumera - Estonian composer active in an age of musical and political freedom.

While writers often lead political double lives, composers only very rarely hold public office. The great Polish composer-pianist Ignacy Paderewski is the most celebrated example, having once been his country's prime minister; more recently, the Greek composer Thanos Mikroutsikos has served in the Greek cabinet, while the Estonian Lepo Sumera, who has died of heart failure aged 50, was his country's minister of culture from 1988-92, during the momentous period of independence from the Soviet Union.

Sumera's importance to Estonia extends much further than his tenure of a relatively peripheral political post. After Heino Eller (1887-1970), whose last pupil Sumera was, and Arvo Pärt, Sumera became one of the most internationally renowned composers from his country, his works being taken up by orchestras throughout North America and Europe (though less readily in Britain), and as far afield as Australia and Cuba.

The modern orchestra was, without doubt, his preferred medium for expression, and his six symphonies and three concertos, all written between 1981 and this year, form the backbone of his output. Only last month, his Sixth Symphony was premiered in a concert to mark his 50th birthday, as, indeed, was another new work, the Concerto Grosso, a week earlier.

It has been suggested that the intensity of his involvement in preparing both scores for performance may have undermined his frail medical condition; he had a history of cardiac problems, and had undergone an exploratory operation some years earlier.

Sumera's music passed through a variety of styles over the years, in the 1970s employing a free form of Schoenberg's 12-note method, as well as collage. Later, he evolved an idiom that, in common with the music of many of his compatriots, seems to embrace minimalism, but the roots for which lay not in any American model, such as Philip Glass or Steve Reich, but rather in the ancient runic songs of Estonia.

Sumera first came to notice in 1972 with In Memoriam, his orchestral tribute to Eller. This work proved prophetic in its atmospheric orchestration and invigorating blend of various musical styles, features of later works such as the Third Symphony (1988). The five movements of his Fourth Symphony, Serena Borealis (1992), separately cover a wide range of moods - from calm quietude to unbridled ferocity; the Fifth (1995), written in one, half-hour-long movement, synthesised the disparate elements of his works of the previous decade into one of his most impressive works.

That Sumera also had an acute ear for instrumental sonority can be heard plainly in his brooding and intense Piano Concerto (1989, revised in 1997) and Cello Concerto (1999), as well as in earlier works - such as Music For Chamber Orchestra (1977), with its enchanting flute solos, or the solo piano Piece From The Year 1981. His output also includes much chamber music, as well as cantatas, more than 50 film scores, and a multi-media opera, Olivia's Master Class (1997), in which paintings by one of the characters are displayed via video.

In the late 1980s, Sumera became increasingly interested in electro-acoustic music, eventually founding, in 1995, the Electronic Music Studio at the Estonian Academy of Music. In 1999, his electro-acoustic work, Heart Affairs, used sounds made by the human heart - transformed electronically during performance - as well as echocardiographic images, including those of his own heart. He is credited with being the first Estonian composer to use a computer systematically for composition.

Sumera first studied music with the composer and musicologist Veljo Tormis (whose choral music has also begun, in recent years, to have considerable international appeal), moving in 1968 to Eller's class at the then Tallinn Conservatory (now the Estonian Academy of Music). He completed his studies with Heino Jürisalu, graduating in 1973, by which time he was already working as recording director for Estonian radio, a post he relinquished in 1980 after starting a two-year postgraduate course at Moscow Conservatory.

Sumera began teaching composition at the Estonian Academy in 1978, and was appointed profesor in 1993. His most renowned former pupil is Erkki-Sven Tüür, who delivered the oration at his funeral. He also served as chairman of the Estonian Composers' Union from 1993.

In 1972, he married the pianist Kersti Einasto, who survives him, and with whom he had two daughters, Kadri-Ann and Eva-Maria, and a son, Tammo. Guy Rickards

Lepo Sumera, composer and teacher, born May 8 1950; died June 2 2000. ---

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]]> (bluesever) Sumera Lepo Sat, 08 Feb 2014 15:20:16 +0000
Lepo Sumera - Symphony No. 5 • Music For Chamber Orchestra • In Memoriam (1996) Lepo Sumera - Symphony No. 5 • Music For Chamber Orchestra • In Memoriam (1996)

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1 	Symphony No.5 (1995) 	33:33
Music For Chamber Orchestra (1977) 	(17:12)
2 	I. Energico 	2:30
3 	II. Cantabile 	14:37

4 	In Memoriam (1972) 	22:30

Malmö Symphony Orchestra
Paavo Järvi - conductor


I am still warming up to this CD - the fifth Symphony is the most complex one I've heard from Sumera. It is in a single long movement. There are few melodies to latch on, almost an exercise in long range planning and movement than a symphony in several movements. I like some moments more than others, but it is certainly more experimental than his other music and I admire that.

The music for chamber orchestra is a bit too long in places without the forward momentum I feel is present in his symphonies. In Memoriam sounds like a piece by a recent music graduate who is more in love with orchestral sounds than form.

Overall, I recommend this one for fans of the composer, but make sure you start with the other four symphonies before hitting this one. ---karlm,


The most conspicuous trait of Lepo Sumera’s style was the use of contrasting patterns. His music juxtaposes playfulness and suffering, show and drama, masquerade and boundless sincerity. Many of his compositions, regardless of genre, are built upon semantic provocation and on unexpected or dramatic confrontation of stylistic signifiers. The composer contrasts the naive with the dramatic, the earnest with humorous modes of expression, within one and the same composition. Sumera’s music is also characterized by extreme attentiveness to sound and timbre.

In his 1970s works, Sumera used free dodecaphony and collage techniques. In the 1980s, Sumera turned to tonal and modal devices, applying minimalist techniques to large-scale compositions. The 1990s yielded engaging chamber pieces, electronic experiments and multi-media works.

Lepo Sumera was one of the most resplendent symphonists in Estonian music, the composer of six symphonies. His Symphony No. 1 (1981) that utilised repetitive-minimal structures as building blocks of a large-scale symphonic composition accomplished a “style revolution” in Estonian music.

Simultaneity, variant-based development and free-floating sonic fields remain constant features of Sumera’s symphonies. Since No. 3, the independent roles of harmony and timbre grow in significance. Beginning with No. 4, expressionistic tendencies take hold.

Lepo Sumera studied composition at the Tallinn Music High School with Veljo Tormis and at the Tallinn Conservatoire with Prof. Heino Eller (1968–1970). After Eller’s death, he studied with Heino Jürisalu (1970–1973). From 1979–1982, he pursued postgraduate studies with Prof. Roman Ledenev at the Moscow Conservatoire.

From 1971–1980, Lepo Sumera worked as sound director at Estonian Radio, from 1980–1985 he was senior adviser at the Estonian Composers’ Union. From December 1988 to April 1992, Lepo Sumera was Estonian Minister of Culture. From 1978, Sumera taught composition at the Estonian Academy of Music (Professor since 1993). He also served as first director (until 1999) of electronic music studio of the Estonian Academy of Music established in 1995. From 1993, Lepo Sumera was the chairman of the Estonian Composers’ Union.

Sumera’s works have been performed in the majority of European countries and the US, Canada, Australia, Japan and Cuba. In 1989, he was the resident composer at the New Beginnings Festival in Glasgow and in 1993 he was featured composer at the Chamber Music Festival in Norrtälje (Sweden) and at the Sydney Spring Festival of New Music (Australia). In 1988 and 1989, Sumera delivered lectures at the Summer Courses of New Music, Darmstadt.

In 1990, Sumera’s music for Tauno Kivihall’s puppet film “The Brides of Death” (“Surmamõrsjad”) received the award for best film score at the Film Festival in Espinho (Portugal). In 1997, his Symphony No. 5 was chosen the recommended work at the International Rostrum of Composers in Paris in 1996.

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]]> (bluesever) Sumera Lepo Thu, 31 May 2018 15:23:01 +0000