Antonio Vivaldi - Trumpet Concerto in B flat major (arranged from RV 548)
1. Trumpet Concerto in B flat major (arranged from RV 548): Allegro 
2. Trumpet Concerto in B flat major (arranged from RV 548): Largo 
3. Trumpet Concerto in B flat major (arranged from RV 548): Allegro 

George Telemann - Concerto for trumpet, 2 oboes, strings & continuo in D major
4. Concerto for trumpet, 2 oboes, strings & continuo in D major, TWV 53:D2: Allegro 
5. Concerto for trumpet, 2 oboes, strings & continuo in D major, TWV 53:D2: Grave, Aria 
6. Concerto for trumpet, 2 oboes, strings & continuo in D major, TWV 53:D2: Vivace 

Johann Neruda - Concerto for trumpet & strings in E flat major
7. Concerto for trumpet & strings in E flat major: Allegro 
8. Concerto for trumpet & strings in E flat major: Largo 
9. Concerto for trumpet & strings in E flat major: Vivace 

Alessandro Marcello - Concerto for oboe, strings & continuo in D minor
10. Concerto for oboe, strings & continuo in D minor, SF. 935 (often transposed to C minor): Allegro moderato 
11. Concerto for oboe, strings & continuo in D minor, SF. 935 (often transposed to C minor): Adagio 
12. Concerto for oboe, strings & continuo in D minor, SF. 935 (often transposed to C minor): Allegro 

J.S. Bach - Mass in B minor, for 5 voices, 6-part chorus, violin, orchestra & continuo
13. Mass in B minor, for soloists, chorus & orchestra, BWV 232 (BC E1): Agnus Dei 

Georg Telemann - Concerto for oboe, strings & continuo in F minor
14. Concerto for oboe, strings & continuo in F minor, TWV 51:f1: Allegro 
15. Concerto for oboe, strings & continuo in F minor, TWV 51:f1: Largo e piano 
16. Concerto for oboe, strings & continuo in F minor, TWV 51:f1: Vivace

Segei Nakariakov - trumpet
Saint Paul Chamber Orchestra
Hugo Wolff – director

This album is a great resource for anyone who wants to hear Baroque music played at an extremely professional level! All but one of the concertos on this album were intended for other instruments such as oboe, voice, or violin. Sergei does an excellent job of capturing the spirit of the instrumens these pieces were originally composed for. He has a brilliant tone, that is not too bright like some other baroque trumpet recordings I have heard. His phrasing and use of dynamic changes draws the listener into the piece, and makes it an emotional experience. This must be why he has been dubbed "the Paganini of the Trumpet." He uses a B-flat Piccolo trumpet for most of the pieces, and the sounds he produces from this little instrument are nothing short of amazing. On the Neruda Concerto, he uses a regular B-flat trumpet, and he still achieves a shimmering sound, and his use of trills especially propel the music forward. He uses a flugelhorn on Bach's Agnus Dei, which was originally an Alto aria. He captures the essence of the human voice through his lyrical and dark sound. This album comes highly recommended, especially for those of you who like Baroque music, played by a master of their insrument! ---Keegan R. Lerch, amazon.com

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1. Bizet/Waxmann - Carmen Fantasie
2. Willi Brandt - Concert Piece No. 2
3. Jean-Baptiste Arban - Variations on a Tyrolean Song
4. Manuel de Falla - La Vida breve: Spanish Dance
5. Camille Saint-Saëns - Le Carnaval des Animaux: Le Cygne
6. Jean-Baptiste Arban - Norma: Variations on a Theme from Bellini's Norma
7. Nicolò Paganini - Caprice op. 1 No. 17
8. Piotr Tchaikovsky - Valse-scherzo op. 34
9. Gabriel Fauré - Le Reveil
10. Pablo de Sarasate - Zigeunerweisen op. 20, 1
11. Nicolò Paganini - MotoPerpetuo op. 11

Sergei Nakariakov - trumpet
Alexander Markovich – piano

This album features Russian trumpet virtuoso Sergei Nakariakov playing a very wide variety of virtuoso music not only for trumpet, but violin, cello, and voice, among others. Sergei recorded this when he was only seventeen or eighteen years old, and when I had finished listening to it, I was shocked at how such a young person was able to have complete control over these very technically demanding pieces. Perhaps the most notable piece on here is Pagini's "Moto Perpetuo" for violin and guitar (or orchestra). The double-tonguing and circular breathing he uses on this piece is almost as impressive as when Rafael Mendez, the other great virtuoso trumpeter, did it many years ago. The title song, Camren Fantasie, is also good for people who know a bit about Bizet's famous opera "Carmen". "Le Cygne" by Saint-Saëns is beautifully done, and the caprice for violin solo really allows you to hear Nakariakov's embauchre and tone quality. Also, the classic "Zigeurweisen" piece is played with great enthusiasm as another great virtuoso trumpet piece. I would recommend this album to any fan of classical music, trumpet music, and definitely a must for all trumpet players. This is one of Nakariokov's best albums, in my opinion, and even if you don't know much about classical music, you will still be impressed by the extremely gifted talent of this young man. --- Cameron Rochette, amazon.com

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1. Haydn - Concerto In C Major, Hob. VIIb: 1: Moderato
2. Concerto In C Major, Hob. VIIb: 1: Adagio
3. Concerto In C Major, Hob. VIIb: 1: Finale. Allegro molto
4. Hoffmeister - Concerto In D Major: Allegro
5. Concerto In D Major: Adagio
6. Concerto In D Major: Rondo
7. Mendelssohn - Concerto In D Minor: Allegro molto
8. Concerto In D Minor: Andante
9. Concerto In D Minor: Allegro

Sergei Nakariakov – trumpet
Wurttembergisches Kammerorchester Heilbronn
Jorg Faerber – conductor

Pity the poor trumpet player. Years of annoying the neighbors in the quest for a formidable technique, only to discover that he or she has been severely short-changed by the repertoire. Still, necessity is the mother of invention, and the trumpeter's lot has been greatly enhanced by what is politely referred to as transcription, or, more crudely, pinching that which rightfully belongs to others. This magpie tendency does have a down side--the need to adapt a string concerto (be it for violin, viola, or cello) for a wind instrument is the musical equivalent of kitting out a fish in a set of feathers; it needs tact and sensitivity to avoid sounding freakish, but here choices are well made. The Mendelssohn (the early D minor concerto rather than the more famous one in E minor) is the most surprising success, the trumpet chattering 19-to-the-dozen in the lip-crackingly fiendish finale, with a touching, lyrical extended slow movement. It becomes a much heartier piece with the brass implant, but it's none the worse for that. And the playing? It's beautifully mellifluous and brilliantly virtuosic. Trumpet fanciers will know that Nakariakov is right at the top of the pile. Others can rest assured that they won't hear the instrument played better than this. --Harriet Smith, Amazon.co.uk

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