Jazz The best music site on the web there is where you can read about and listen to blues, jazz, classical music and much more. This is your ultimate music resource. Tons of albums can be found within. http://www.theblues-thatjazz.com/en/jazz/1667.html Fri, 19 Apr 2024 16:38:17 +0000 Joomla! 1.5 - Open Source Content Management en-gb Bob Acri - Timeless (2001) http://www.theblues-thatjazz.com/en/jazz/1667-bob-acri/11237-bob-acri-timeless-2001.html http://www.theblues-thatjazz.com/en/jazz/1667-bob-acri/11237-bob-acri-timeless-2001.html Bob Acri - Timeless (2001)

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01 - Tribute To Buddy
02 - Lonely Lonely Girl [Solo Piano]
03 - R.B. Blues
04 - Sleep Away						play
05 - Wake Robin
06 - Chromabluze [Solo Piano]
07 - Linda Rose
08 - Guess Who
09 - Lonely Lonely Girl
10 - Bossa Nova Viejo
11 - Fugue							play
12 - J & B Blues
13 - Bob's Blues
14 - Sleep Away [Solo Piano]

Musicians:
Bob Acri, piano;
Bob Acri, Jr., drums and percussion;
Jim Acri, drums;
Ted Schmuldt, guitar;
Scott Mason, acoustic bass.

 

Bob Acri attended Chicago's Austin High School, the institution that produced Bud Freeman, Jimmy McPartland, and Frank Teschemacher, all of whom were major players in the creation and development of the Chicago jazz style. Unlike his school's famous alumni, Acri had to wait until he was 82 before he got a chance to record. He made up for it in other ways. He held down the piano chair with the ABC/NBC Orchestra, appeared at such high-visibility Chicago watering holes as the Pump Room and worked with Carmen McRae and Barbra Streisand. Acri's program for this debut effort are his compositions, sometimes played solo, but mostly with a crew of highly skilled sidemen, including his sons handling drums and percussion. Neither Acri's playing nor his music are flamboyant. Like his career, they are calm, unassuming, and very musical. A variety of genres are incorporated into his pieces. There are three blues numbers, with "R.B. Blues" featuring some funky guitar by Ted Schmuldt. Latin rhythms get their due with "Bossa Nova Viejo" and "Linda Rose." There's polite swing, "Guess Who," again with Ted Schmuldt making a strong contribution. The guitar player gets in a couple of Western swing licks on "Tribute to Buddy." Acri's piano has the elegance of Teddy Wilson coupled with the lyricism of Bill Evans. He is especially thoughtful and pensive when he plays unaccompanied two very short romantic pieces, "Sleep Away" and "Chromabluze." It's really unfortunate and unfair that Acri had to wait so long to be recorded. And what's even sadder is that it's unlikely his very pleasant-to-the-ear compositions will ever be recorded by anyone else. But this album remains a tribute to his skills and is recommended. --- Dave Nathan, allmusic.com

 

It is hard to believe that at the tender age of 82, pianist/composer and arranger Bob Acri is debuting with his first full length Southport CD, as a leader. A fixture on the Chicago scene for 7 decades, Bob Acri attended the famed Austin High, an institution that created its fair share of remarkable "Chicago-schooled" musicians. At age 17, Acri had already stepped up from free-lancing in Chicago's many saloons to having one of the most prestigious musical jobs around - staff pianist with the ABC / NBC Network Orchestra. In his impressive career he once held court at Chicago's famed Pump Room and Mr. Kelly's working with people like Barbra Streisand, Shecky Greene, and Carmen McCrae.

Chicago born in 1918, pianist/composer Acri is a Chicago original. On this recording, he offers a collection of all original songs that span many forms of American song style, from the romantic ballad, to the bossa nova and the blues, with hints of swing and bebop. Acri lists the late great Bill Evans as one of his main musical champions. With sons Bob Acri, Jr. (drums and percussion) and Jim Acri (drums) the essence of a musical family can be felt and heard. Rounding out the ensemble is Ted Schmuldt (a long time ally) on guitar and Scott Mason on the acoustic bass.

"Tribute to Buddy" is a flashy up-tempo romp that swings and bops Chicago style. "Sleep Away" was released previously on the ABC label on track 12 (from Jamie and the Jays-Encore-ABC-592-1959). The Latin-tinged "Linda Rose" will make you dance with its hypnotic winding melody. "Lonely Lonely Girl" repeated with full ensemble, has the elegance of an Ellington tone poem. Bob's piano weaves between the melodic phrases like a mellow wind. "Bossa Nova Viejo" will prove to be the party stopper, another Latin track that builds into an intense frenzy, featuring both of Bob's sons, with Jim on set, and Bob, Jr. on conga and percussion. ---Editorial Reviews

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administration@theblues-thatjazz.com (bluesever) Bob Acri Mon, 26 Dec 2011 14:02:48 +0000
Bob Acri – Bob Acri (2004) http://www.theblues-thatjazz.com/en/jazz/1667-bob-acri/5660-bob-acri-bob-acri-2004.html http://www.theblues-thatjazz.com/en/jazz/1667-bob-acri/5660-bob-acri-bob-acri-2004.html Bob Acri – Bob Acri (2004)

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01. Wake Robin
02. Watch What Happens
03. Lonely Girl
04. It Could Happen to You
05. Bob’s Blues
06. I Remember Clifford
07. Tribute to Buddy
08. Sleep Away
09. I’ve Grown Accustomed to Her Face
10. Why Did I Choose You
11. Sweet Georgia Brown
12. Sleep Away (Reprise)
Bob Acri, piano; Frank Wess, flute, sax; Lew Soloff, trumpet; Diane Delin, violin; George Mraz, bass; Ed Thigpen, drums.

 

Blujazz Records and the Cavalcade of Music Foundation brought together some of the world's finest musicians to create a musical project that definitely deserves your attention. This excellent recording is based around the music of Chicago-based pianist Bob Acri, who was a mainstay in the NBC and ABC radio orchestras, toured with Harry James, was a member of the house trio at Mr. Kelly's (the famous nightspot in Chicago), and also played on The Mike Douglas Show and The Dave Garroway Show. Accompanied by such great jazz talent as George Mraz, Ed Thigpen, Lew Soloff, Frank Wess, and Diane Delin, Acri plays "Watch What Happens" with Soloff out front on the melody. Soloff's slides, double tonguing, and staccato notes are beautifully balanced and his solo is technically superior. Acri's sweet solo accentuates the song with exquisite phrasings and arpeggiated chords. There are many divergent opinions of how this music should be presented and, as with all art, music is subject to many interpretations. Toward that end, at 85, Bob Acri is as dexterous as ever and amply offers his listeners a great program of originals and jazz standards. ---Paula Edelstein, AllMusic Review

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administration@theblues-thatjazz.com (bluesever) Bob Acri Sun, 04 Jul 2010 14:47:05 +0000