01 - Night Side 02:32
02 - I'm Your Bunny Bossa Nova 02:41
03 - Playboy's Theme 02:33
04 - Watermelon Man 02:59                      play
05 - Laura 02:49
06 - Hatari 02:30
07 - Once I Loved (Amor Em Paz) 03:53
08 - Capricious 02:13
09 - We Fell In Love In The Rain 02:36
10 - Days Of Wine And Roses 02:14
11 - A Man And A Woman (Um Homme Et Une Femme) 02:56
12 - Puddles 02:26
13 - Stella By Starlight 02:19                 play
14 - Hey There 03:37
15 - April Showers 02:39
16 - Recado Bossa Nova 03:48
17 - Pretty Place (Lugar Bonito) 02:46
18 - A Time For Love 02:26
19 - Mini-Skirt 03:31
20 - Just For Tonight 01:52

Tremendous solo work as a leader from Kai Winding – tracks recorded in that sans-JJ period of the mid 60s, when Winding was working for Verve with some really wonderful results! Some of the cuts here are straighter jazz from Kai's past, but others feature even groovier large arrangements – music that starts in jazz, but picks up other mod 60s touches too – often in ways that bring a nice dose of soul and swing to Winding's big band charts! There's still plenty of trombone in the lead, but also lots of tinkling piano, echoey percussion, colorful guitar, and floating flutes – all folded together wonderfully with a sound that's ripe for rediscovery. ---namba.kg

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1.Blue Lou (7:12)
2.The Party's Over (4:22)
3.The Preacher (6:44)
4.Surrey With The Fringle On Top (3:30)
5.Jive At Five (4:32)
6.The Blues (7:17)
7.Whistle While You Work (3:05)
8.You Don't Know What Love Is (5:07)
9.Mole Hill (4:48)
10.There'll Never Be Another You (6:37)

Recorded Live At Cleveland,June 1957

Kai Winding,Wayne Andre,Carl Fontana-trombones
Dick Lieb-bass trombone,baritone horn
Roy Frazee-piano
Kenny O'Brien-bass
Tom Montgomery-drums

A native of Denmark, Kai Winding moved to the U.S. in 1934 when he was twelve, and began playing trombone three years later. With the be-bop explosion after World War II he was in the forefront of musicians who transformed trombone-playing to a style which was quick, innovative and exciting. After beginning his very successful partnership with fellow trombonist J.J. Johnson in the early fifties, Winding proceeded to expand his trombone group concept to four trombones by finding three new trombonists who had mastered the difficult be-bop idiom. Of these three, Carl Fontana today is perhaps modern jazz’ leading trombonist. Thanks to Kai Winding's choice of the right, like-minded trombonists (and rhythm section), and to his tasty, swinging arrangements and choice of material, plus the great individual performances, this live session from 1957 shows just how captivating and pleasurable modern trombone-jazz can be. ---storyvillerecords.com

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