A1. Mr. T 6:21
A2. Trip One 9:00
B1. Weird Harold 5:49
B2. Power House 6:30

Chester Thompson - organ
Rudolph Johnson – saxophones
Al Hall – trombone
Raymond Pounds – drums

I recently learned about Chester Thompson's solo effort POWERHOUSE from my friend, Pacific Northwest based jazz organist Louis Pain. Pain, who plays with Mel Brown's B3 Quartet, is himself an able protege of Thompson. I was long an admirer of Thompson's work with Tower of Power. His funky grooves and solid backing helped to propel the soul-jazz-funk based band. POWERHOUSE was originally released as an LP, but its recent release as a CD gives the work the potential to be rediscovered by a entirely new host of listeners. For those who love the Hammond B3, Thompson's POWERHOUSE will be a welcome addition to their collections. ---Gary Cummisk, amazon.com

download (mp3 @320 kbs):

uploaded yandex 4shared mega solidfiles zalivalka cloudmailru filecloudio oboom clicknupload

back

01 Tropical Sunday
02 So-Soka
03 Homeland
04 Drums Are Loud
05 A Joyful Noise		play
06 Chunky
07 Jussa Thang
08 Cool Groove
09 Raw
10 Addatude
11 Amazing Grace		play

Chester Thompson -  Arranger, Drums, Drums (Electric), Keyboards, Percussion, Percussion,
Programming, Sequencing, Vocal Percussion, Vocals
Gerald Albright 	- Sax (Tenor), Soloist
Debra Dobkin - Percussion
George Duke - Gues Artist, Soloist, Synthesizer
Brandon Fields - Sax (Tenor), Soloist
Bruce Fowler - Soloist, Trombone
Steve Fowler - Flute, Sax (Alto), Soloist
Freddie Fox - Guitar (Electric)
Pamela Deuel Hart - Vocals
Michiko Hill - Keyboards, Piano, Vocals
Pewee Hill - Bass, MIDI Bass, Vocals
Harry Kim - Trumpet
Jay Leach - Guitar (Acoustic), Guitar (Electric), Pedal Steel, Soloist
Yoshio Maki - Vocals
Charles Owen - Sax (Tenor)
Mike Rosen - Synthesizer Programming
Otmaro Ruíz - Arranger, Keyboards, Soloist
Wendy Sacks - Vocals
Akil Thompson 	- Drums (Electric), Vocals
Roz Clark Thompson - Vocals
Kevin Toney - Arranger, Keyboards
Ronnie Vann - Guitar (Electric), Vocals
Greg Walker - Vocals
Brenda White - Vocals
Wally Fowler's Tennessee Valley Boys 	Flugelhorn

JOYFUL NOISE features acclaimed drummer Chester Thompson - who has recorded with Genesis, Frank Zappa and Carlos Santana - includes "Tropical Sunday" and "Raw." Few contemporary jazz drummers attempt to become solo artists, but the ones who have--Alex Acuna, Dave Weckl and Danny Gottlieb, for example--have succeeded quite well. Add Thompson to the list of those who have an amazing knack for melody and who know how to surround themselves with good players. A Joyful Noise is an appropriate title for this disc, which ranks as one of the most pleasurable contemporary jazz players of the early 90s. The energy level is high with the tropical jaunts of the first two cuts and keeps going throughout, climaxing with the R&B licks of "Jussa Thang" and "Cool Groove" be fore coolingdown with a rich and rewarding rendition of "Amazing Grace." A drummer's albums sometimes feature too much "in your face" slamming, but Thompson uses restraint. When the percussive all-skin "Drums are Loud" arrives, therefore, it's an interesting interlude. Only the title cut is a little corny; it's a pretty melody, but the choir like vocals seem a bit sentimental. No matter, this is one serious party disc. "Amazing Grace" sums up the spirit of all the joyful noises present. ~ Jonathan Widran

Chester Thompson has one impressive resume. Frank Zappa, Genesis, Carlos Santana, Steve Winwood, Phil Collins, Jaco Pastorius have all been more than ably backed by drummer extrodanaire Chester Thompson. One downside to backing so many diverse acts is being able to establish a sound of your own. On A Joyful Noise, Thompson attempts just that, with mixed results. No doubt, he is a skilled percussionist, but playing and writing music are two different things. Some of the tracks on A Joyful Noise are pure jazz joy, "Tropical Sunday", "So-Soka" and "Drums Are Loud" are feel-good, toe tapping cuts that survive repeated listenings. Other tracks lack a definitive sound to be tolerable for more than a few plays - the album ending version of "Amazing Grace", while tastefully done, does nothing to add to the legions of artists that have performed this old standard. I enjoy the album, but was looking for something more that gave spotlight to Thompson's kit prowess. Alas, this is a midde of the road, smooth jazz album that while pleasant enough, is not indicative of the musicianship Thompson has displayed in his previous associations.

download: uploaded yandex 4shared mediafire solidfiles mega zalivalka cloud.mail.ru filecloudio anonfiles oboom

back