A1   Crowshed Shuffle 5:08  
A2   The Dancer 7:30  
A3   Now That We're Alone 1:30  
A4   Lullaby For A Sleepy Dormouse (For Georgie) 5:25 		play 

B1   Almond Burfi 5:02  								play
B2   Pendle Mist 5:40  
B3   Apple Crumble 3:18  
B4   Maiden Voyage (For Brian Auger) 4:15 

Musicians:
Gary Boyle - Guitar  
Steve Shone, Doni Harvey - Bass  
Rod Argent, Zoe Kronberger, Dave MacRae, Robin Lumley - Keyboards  
Jeff Seopardie, Simon Phillips - Drums  
Morris Pert - Percussion 
Maggie Pert - Vocals

Hearing Isotope guitarist Gary Boyle's debut solo album for the first time way back when, the album seemed like a bold and daring progressive guitar showcase — and it's aged exceptionally well across three decades. Boyle plays like a cross between Steve Hackett and John McLaughlin, and his backing band — including Rod Argent on organ and Morris Pert and Simon Phillips on percussion and drums — is just as good at the same level of playing. Boyle has a great bag of songs and tricks that he parades out here in full glory. The 2006 CD reissue only enhances the crispness of the sound and, in the process, the precision of the playing and the detail of what all of these musicians are doing. This is a very busy record, encompassing elements of progressive rock and jazz, and even a little tribute to Brian Auger in "Maiden Voyage." --- Bruce Eder, allmusic.com

Gary Boyle's career began in the 1960's working with top British Singer Dusty Springfield. His 'first big gig' with Dusty was soon followed by the first of two stints with Brian Auger and Julie Driscoll (best known for their 60s hit, 'Wheel's On Fire'), with Gary playing on the act's two albums and touring the UK, Europe and the USA. Gary attended the Leeds College of Music and on leaving joined cult folk/rock band Eclection with Gerry Conway (Fairport Convention) and the late Trevor Lucas (Fotheringay). During the 1970s, Gary began three years of highly productive studio work in London, which included recording albums, radio and television jingles and film music. During this period Gary contributed to album releases by Mike Westbrook, Mike Gibbs, Norma Winstone and Keith Tippett. Other highlights included a season at Ronnie Scott 's in London with American sax player Eddie Harris, four albums with Japanese percussionist Stomu Yamashta, and an album with folk legend, Bert Jansch.

In 1973 Gary formed jazz-fusion band Isotope recording three albums and touring extensively in the UK, Europe and the USA. After Isotope disbanded in 1975, Gary recorded several solo albums, "The Dancer" and "Electric Glide" with engineer/producer Martin Levan (with whom he was to renew a working relationship years later with his new release, 'Games'.) During the 70s, Gary was voted New Star in the Melody Maker Poll while 'The Dancer' won the Pop/Jazz Award at Montreaux Jazz Festival.

From 1980-81, Gary lived in Copenhagen where he recorded two albums, one of which 'Stepout' was also produced by Martin Levan. On returning to the UK, Gary formed the trio Triple Echo featuring the Roland Guitar Synth. Gary has toured the UK with artists such as guitarists Jim Mullen, John Etheridge, German bass player Eberhard Weber and double bass supremo, Danny Thompson. Gary currently teaches guitar at Wigan and Leigh College and the Liverpool Institute of Performing Arts (known as the Paul McCartney school). While regularly working with his own trio, Gary also co-fronts the Gary Boyle/Nat Birchall Quartet as well as working in duo and band format with fellow Red Kite Artist, Brigitte Escobar.

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1  Snap Crackle 5:17  
2  Electric Glide 3:59			play  
3  Gaz 6:39  
4  Hayabusa 4:10  
5  Grumble 2:35  
6  Morning Father Joys 5:04  
7  Brat No. 2 4:20  
8  It's Almost Light Again 4:16		play

Personnel:
Guitar - Gary Boyle, Gary Moore, Kenny Shaw, Robert Awhai
Bass Guitar - John Giblin, Phil Chen 
Keyboards - Pete Jacobsen 
Drums - Richard Bailey, Simon Phillips
Percussion - Simon Morton

Fans of mid-'70s King Crimson or early-'70s John McLaughlin could do a lot worse than land Gary Boyle's second solo album in their CD player or on their turntable. The ex-Isotope guitarist shows a thorough familiarity with the scales, and he (and the rest of the instrumentalists here) show a great affinity for 16th and 32nd notes, but the playing is always interesting enough and the shifting textures sufficiently diverse to hold one's interest across just over a half-hour — the presence of guitarist Gary Moore, among others, doesn't hurt in that regard either. Electric Glide is very much of its era, steeped in mid-'70s jazz-rock, and there are a few moments that come perilously close to recalling the Mahavishnu Orchestra's Birds of Fire album — luckily, he surrounds those intensely challenging moments with some more gently lyrical material, most notably the title track, which might have had a shot at some radio success, had it been a single. ---Bruce Eder, allmusic.com

In 1973, Gary Boyle formed the brilliant jazz-rock band, Isotope. He engaged three other superb jazz musicians; Nigel Morris, Brian Miller & Jeff Clyne (ex Nucleus). Gary and Nigel had previously been in Stomu Yamash'ta's East Wind band. Before that ,Gary had worked with artists as varied as Dusty Springfield, and Brian Auger & Julie Driscoll. During the mid '70s, Isotope released three albums which earned the band global acclaim. After Isotope disbanded, Gary went solo, and his debut album, "The Dancer", deservedly won the prestigious 1978 Montreux Jazz/Pop Award. Gary is an adventurous and fluid fusion guitarist, and his playing has often been compared to that of John McLaughlin & John Goodsall, and nothing wrong with that. "Electric Glide" is a great vintage fusion album, and since the end of the seventies, music of this nature is rare, especially when it's as adventurous and original as this. There are some class musicians on this album, including Gary Moore, and Pete Jacobsen. Try and find Gary's "Step Out" album, and listen to the superb "Isotope & Gary Boyle Live At The BBC" album. Gary's "The Dancer" album can also be found on this blog. For music of a similar genre, listen to Brand X's great "Masques" album.

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