1.Into The Faddisphere (6:45)
2.Sambahia (5:13)
3.At Long Last (5:15)
4.The Early Bird Gets The Short End Of The Stick (5:44)
5.Many Paths(To The To Of The Mountain) (7:05)
6.Retro Blue (4:38)
7.Ciribiribin (7:43)
8.War & Peace (3:37)

Musicians:
Jon Faddis-trumpet
Renee Rosnes-piano
Phil Bowler-bass
Ralph Peterson Jr.-drums

At the age of 36, after many years in the shadow of his idol Dizzy Gillespie, trumpeter Jon Faddis was consciously going after developing his own voice. His rhythm section, led by pianist Renee Rosnes (who displays a style influenced by McCoy Tyner), is modern and Faddis plays six of his own compositions (in addition to Donald Brown's "The Early Bird" and "Ciribiribin"). But the trumpeter's seeming inability during this era to stay out of his upper register for more than a minute straight is often quite annoying, completely ruining the modal arrangement of "Ciribiribin." The title cut, a showcase for Faddis' high-note heroics, is also difficult to sit through. A disappointing mixed bag. ---Scott Yanow, Rovi

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01. West End Blues
02. Little Jazz
03. A Night in Tunisia
04. Instigator
05. Things to Come
06. A Child is Born
07. Li'l Darlin'
08. Whisper Not

Personnel:
Jon Faddis - Trumpet, Flugelhorn
Harold Land - Tenor saxophone
Kenny Barron - Piano
Ray Brown - Bass
Mel Lewis – Drums

When Jon Faddis burst on the jazz scene as a teenager, observers were amazed by his technique and his ability to sound like an identical twin of Dizzy Gillespie (whose complex style had never been successfully duplicated before). After a period, he was typecast as a Dizzy imitator but Faddis' remarkable range (hitting higher notes than Gillespie ever could) and the gradual development of his individual sound have helped him overcome the early fault. In fact, Faddis can now also imitate Roy Eldridge and Louis Armstrong quite well, too. Gillespie was always Faddis' idol, from the time he started playing trumpet at age eight. After moving to New York in the early '70s, Faddis played with Lionel Hampton and Charles Mingus (guesting on a recorded concert with the bassist when Roy Eldridge became ill) and then recorded two notable albums for Pablo including a duet session with Oscar Peterson. After playing a bit with Gillespie (their best encounters in the mid-'70s were unfortunately not recorded), Faddis seemed to disappear, sticking to studio work and playing first trumpet with the Thad Jones/Mel Lewis Orchestra. After re-emerging in the mid-'80s, Faddis recorded for Concord and Epic and in 1993 became the musical director of the Carnegie Hall Jazz Orchestra. He released Teranga on Koch in 2006. ---Scott Yanow, Rovi

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