Lettuce - Crush (2015)

2019-06-21T13:53:55Z

Lettuce - Crush (2015)


1 	–Lettuce 	The Force 	3:41
2 	–Lettuce 	Get Greasy 	4:26
3 	–Lettuce 	Chief 	4:58
4 	–Lettuce 	Lude 1 	0:32
5 	–Lettuce) 	Phyllis 	6:50
6 	–Lettuce, Nigel Hall 	Sounds like a party 	3:32
7 	–Lettuce) 	The Lobbyist 	4:20
8 	–Lettuce 	Lude 2 	0:36
9 	–Lettuce 	Trillogy 	7:03
10 	–Lettuce 	Pocket Change 	4:15
11 	–Lettuce 	The New Reel 	5:44
12 	–Lettuce 	Lude 3 	0:45
13 	–Lettuce, Alecia Chakour 	He Made A Woman Out Of Me 	3:05
14 	–Lettuce 	Silverdom 	5:02
15 	–Lettuce 	Lude 	0:38
16	-Lettuce	Elephant Walk
17	-Lettuce	Let Bobby
18	-Lettuce	The Sun

Adam “Shmeeans” Smirnoff – Guitar
Adam Deitch – Drums
Erick “Jesus” Coomes – Bass
Ryan Zoidis – Alto, Tenor and Bari Sax
Eric Krasno – Guitar
Neal Evans – Organ, Keyboards
Eric Bloom – Trumpet

2015 was a banner year for funk outfit Lettuce, playing numerous club dates in addition to festivals such as Gathering of the Vibes, Catskill Chill, All Good and Electric Forest. Having already released three studio albums (Fly, Rage and Outta Here), fans were giddy with anticipation as to what the New York-based seven piece would come out with next. Released November 6th, Crush may be the band’s best all-around record to date.

Blasting out of the gates with the appropriately titled “The Force,” listeners can hear just how big Lettuce’s sounds can come through. The horn section of Ryan Zoidis and Eric Bloom give the track a big band feel, one unmatched by any other funk groups on the scene. “Get Greasy” is driven by Adam Deitch’s powerful backbeat, as he is in perfect sync with Jesus Coomes down and dirty bass line. The rhythm section here is truly special as neither one dominates the track, but it is evident that what they provide is crucial to the Lettuce groove.

This leads us to “Chief,” a track that swings into the wheelhouse of keyboardist Neal Evans and guitarists Adam Smirnoff and Eric Krasno. Look for the mesmerizing guitar solo about halfway through that adds another layer of depth to the tune. One might be inclined to take a breather after three rip-roaring songs, which Lettuce provides with the 32-second “’Lude 1” before setting up the first single off the record, “Phyllis.”

If you want to know what Lettuce sounds like in a nutshell, “Phyllis” is the track. A build-up of guitar leads to Deitch’s intro before the rest of the band comes in to finish the job. It is a slow-sweeping odyssey almost haunting to the ears, laced with horns and melodic guitar throughout. “Sounds Like a Party” features frequent Lettuce collaborator Nigel Hall on vocals, an always welcome addition to any Lettuce track. His smooth voice fits in flawlessly with the band’s sound, allowing for even more diversity on such a grand record.

Speaking of grand, “The Lobbyist” is a track any funk fan would want blasting as they enter the bar on a Friday night, smoke machines and neon lights in tow. Saying the first twenty seconds are big would be an understatement, as it is truly large. “’Lude 2” takes us right into “Trillogy,” the dirtiest tune on the record packing the most sludge. Of all the sixteen recorded tracks, this is the one that would be most likely to give listeners whiplash from head banging deep into the night.

Rolling right into “Pocket Change,” one half-expects a 70’s talk show host to appear ready to deliver his opening monologue. For the amount of funk brought by Lettuce, “Pocket Change” is the most wholesome throwback to an earlier musical era. Not all the way back to the Wild West, however, which is the feel of “The New Reel.” The spacing of the horn section amongst floating guitar riffs and Deitch’s beat make this one of many can’t miss tracks on Crush.

“’Lude 3” moves one right along to the final four tracks on the record. Alecia Chakour checks in on vocals during “He Made a Woman Out of Me,” and good heavens can she belt it out. One of the shorter songs on the record, she makes the most of her appearance with a gritty addition to the underlying instrumentals. Lettuce moves back to their boisterous nature with “Silverdome” before sliding through “’Lude” and into “Let Bobby” to finish off the release.

Crush gives funk fans exactly what they want in a studio record: high-flying guitar riffs, chunky rhythms, massive-sounding horns and seamlessly intertwined keys. It seems that Lettuce is getting better with age, completely outdoing themselves and capping off a brilliant 2015 with a record that truly stands on its own. ---Foster Dunigan, sensiblereason.com

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Lettuce - Witches Stew: A Tribute to Miles Davis (2017)

2017-10-20T14:49:03Z

Lettuce - Witches Stew: A Tribute to Miles Davis (2017)


1.Miles Runs The Voodoo Down 
2.Sivad
3.Shhh / Peaceful
4.In a Silent Way / It's About That Time
5.Jean Pierre
6.Black Satin
7.Right Now

Adam Smirnoff – guitar
Nigel Hall – keyboards
Erick “Jesus” Coomes – bass
Ryan Zoidis – saxophone
Eric Bloom – trumpet
Adam Deitch – drums

It's a daunting task but a laudable ambition to afford direct tribute to a musician as iconic as Miles Davis and a work of his equal in stature, Bitches Brew (Columbia, 1970). But like the ensembles before them that revisited this bonafide classic, including the World Saxophone Quartet, Lettuce prove up to the task. In fact, he octet tender their homage, Witches Stew, in such a way it suggests 'The Man with the Horn,' were he still living, might well look the band for inspiration as he did Jimi Hendrix and Sly and the Family Stone at the time of the original recordings.

For A Tribute to Miles Davis, Lettuce have availed themselves largely but not exclusively, of the man's groundbreaking work from 1970. Nevertheless, just as the group refuses to restrict itself unnecessarily as it continues to hone their own brand of jazz-inflected funk, the group deigns to broaden their reach beyond the album to which this title alludes, (hence the subtitle). Accordingly, the ensemble interweaves material from the the main source and its immediate predecessor in the Davis discography, In A Silent Way(Columbia, 1969) plus other selections from the legendary trumpeter/bandleader's electric era.

Adding indispensable dynamics to this collection of seven songs, handpicked by the band and recorded at the 2016 Catskill Chill in Lakewood, PA., "Shh"/Peaceful" and "In A Silent Way/"It's About That Time," extend the mood set by the atmospheric invocation of the band's muse, via Eric Bloom's trumpet, on "Miles Chases the Voodoo Down." Synthesizer washes flow around electric piano from keyboardist Nigel Hall, while guitarist Adam Smirnoff flicks notes from his own instrument to add further color to the flow.

A cull from Live/Evil (Columbia, 1971), "Sivad," offers marked contrast to the tranquility of the surrounding numbers. Drummer Adam Deitch pushes the band through a roiling set of changes, illustrating how this style resides so squarely in this band's collective wheelhouse: it's no surprise this number marks the point the performance assumes something of a life of it's own. A demonstration of the band's patience subsequently arrives in the form of the jaunty and jagged likes of "Jean Pierre," from the comeback concert album We Want Miles (Columbia, 1982), during the course of which Ryan Zoidis exhibits an earthy imagination.

Given that Lettuce hasn't played much of this music very often since this sole date, it remains unfortunate, albeit understandable, that the near hour-long Witches Stew will only be available in digital form (no physical configurations at least for now), thereby somewhat restricting its dissemination to the public at large. Still, the group made the effort to adorn the release with a wildly colorful 'cover' image, an exercise emblematic of the group's earnest intentions in conceiving and executing the project.. And while A Tribute to Miles Davis hardly represents the cultural paradigm shift represented by the groundbreaking release, the effort allows Lettuce to do justice to their influences, while still retaining their own collective persona. ---Doug Collette, allaboutjazz.com

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Lettuce - Crush (2015)

Lettuce - Witches Stew: A Tribute to Miles Davis (2017)