1. El Amor Espera 
2. El Rap Del Exilio 
3. Cerca De La Revolucion 
4. Chipi Chipi 
5. Fanky 
6. Demoliendo hoteles 
7. Promesas Sobre El Videt 
8. Rezo Por Vos 
9. Yendo De La Cama Al Living 
10. Cancion de 2 x 3 
11. Pecado Mortal 
12. Influencia 
13. Llorando En El Espejo 
14. Raros Peinados Nuevos 
15. Me Siento Mucho Mejor 
16. Simbolo De Paz 
17. No Voy En Tren 
18. Deberias Saber Por Que 
19. Rock&Roll Yo 
20. No Toquen 
21. No Se Va A Llamar Amor

    Charly García - Vocals, Piano
    Hilda Lizarazu - Voces
    Carlos Alberto García López - Guitar
    Fabián Vön Quintiero - Keyboads
    Kiuge Hayashida - Guitar
    Antonio Silva Peña - Drums
    Carlos González - Bass

After a decade or so spent in a whirlwind of addictions and scandals, Argentine rock icon Charly García seemed to have reached his nadir around mid-2008 when he was committed to a psychiatric clinic due to severe physical and mental deterioration. After treatment, García retired to a friend's country house where he spent several months in uncertain recovery. Miraculously, by mid-2009 a "back from the dead" tour was set in motion, with dates in Perú and Chile as a warm-up for an epic show at Velez Sarfield Stadium in Buenos Aires scheduled for October 23rd, the day of García's 58th birthday. Unfortunately, the elaborated mise en scène that featured floating acrobats and a hanging piano had to be discarded due to torrential rain. Undeterred, García and his stellar band took the stage in front of some 35,000 absolutely drenched raving fans, put on a brave face, forgot about fancy props, and went about the only sensible answer in light of the circumstances: rock the joint old-style, to Antarctica and back. In retrospect, nothing could have suited the celebration better than this apocalyptic setting. True, García's voice was the first thing to go when he began his seemingly never-ending descent to hell, but his hoarse shouting (which actually improves as the show goes along) fits perfectly an unassailable repertoire that included many of García's most funky and furious punk-like, moments -- including half of 1984's seminal Piano Bar, widely considered one of the two or three greatest Argentine rock albums of all time. Needless to say, huge credit must go to García's bulldozer of a band, the trio of Chileans Kiushe Hayashida, Carlos González, and Antonio Silva Peña, who have been with him since 2001, augmented by three illustrious veterans of Argentine rock such as Carlos García López, Hilda Lizarazu, and Fabián Von Quintiero, who used to accompany the big man during his creative heyday in the '80s as his musicians, and who remained staunchly by García's side during his long convalescence, as true friends.

The biggest revelation is, of course, García himself, not only alive but also happier and more focused than he has been in years, singing his guts out and rocking the piano -- this from a man who barely a year ago was an emaciated ghost unable to move or even talk, let alone stitch two coherent sentences together. But for one pretty good new song, García and his troops stick to the classics and do not stray too far away from the original arrangements, which were already fairly complex, as García has always been a peerless composer. They may play it safe, but they certainly play loud and hard: these people are on a mission to save one of rock en español greatest artists and evidently nothing will stand in their way. Many highly emotive moments are preserved in the DVD, such as García joking about having a waterproof band and performing the first underwater concert in history, and Luis Alberto Spinetta (the yin to García's yang in the pantheon of Argentine rock legends) joining for a rousing version of "Rezo por Vos," the only song ever released from their aborted 1985 collaboration. The real heroes of the story, however, may very well be the crowd that jumps and cheers for hours under a deluge, breaks into an impromptu rendition of "Happy Birthday," and generally acts as if possessed throughout the entire concert. Considering how hard their patience has been tested by García's erratic stage behavior of the past decade, their faith is as mesmerizing as García's resurrection, and a testament to how profoundly García's extraordinary music has never ceased to inspire entire generations of grateful listeners. ---Mariano Prunes, Rovi

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01. I Saw Her Standing There 
02. Love Me Do - Help! 
03. There's A Place 
04. Twist And Shout 
05. Roll Over Beethoven 
06. And I Love Her 
07. Anytime At All 
08. It's Only Love 
09. Ticket To Ride 
10. You've Got To Hide Your Love Away 
11. Day Tripper 
12. Tomorrow Never Knows 
13. Getting Better 
14. Strawbery Fields Forever 
15. Cry Baby Cry 
16. Come Together 
17. All You Need Is Love 
18. Rain 
19. Get Back 
20. Slow Down

Les traje algo muuuuy copado. Es un disco que sacó Charly de covers (algo versionados) de los Beatles. Están muy buenas las versiones y además está genial escucharlo a Charly tocando temas de sus ídolos. El sonido puede que no sea el mejor, es una cosa que tenía ahi en la PC hace mucho tiempo y la saqué del disco (años y años), así que por ahí se escucha medio sucio, pero vale la pena, está re bueno. Además es muy buena la selección. ---puentesdeamarillo.blogspot.com

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1 Demoliendo Hoteles
2 No Me Dejan Salir
3 Raros Peinados Nuevos
4 Yendo De La Cama Al Living
5 Nos Siguen Pegando Abajo
6 No Se Va A Llamar Mi Amor
7 Piano Bar
8 Tuve Tu Amor

Charly García (born Carlos Alberto García Moreno on October 23, 1951) is a singer-songwriter, pianist and keyboardist from Argentina with a long career in rock music, forming successful groups such as Sui Generis and Serú Girán, cult status groups like La Máquina de Hacer Pájaros, and as a solo musician.

Charly García was the eldest son in an upper-middle class family. His father taught mathematics and physics in elementary school, while his mother produced radio music shows, mainly shows featuring folkloric music. Charly began to show musical talent at an early age. At three, he received a toy piano as a gift, and soon he surprised his mother with his ability to compose and play coherent melodies, leading her to enlist him in a prestigious conservatory, the Thibaud Piazzini. At age twelve, he graduated as a Music Professor. Charly developed absolute pitch as a child.

The Beatles appeared in Charly's life when he was thirteen. Having previously only been exposed to classical music and folk, he would describe the Beatles as "classical music from Mars". In high school he met Carlos Alberto "Nito" Mestre and the two fused their bands to give birth to Sui Generis.

Charly formed several bands over the years, but then in 1982, Argentina was undergoing political change. After the Falklands War (Spanish: Guerra de las Malvinas/Guerra del Atlántico Sur) in June, social chaos erupted and the military government lost much of its power. The kidnappings had stopped and censorship had weakened.

Charly García debuted as a soloist with a double LP, Pubis Angelical (Angelical Pubis), which was the eponymous movie's soundtrack, and the powerful Yendo de la cama al living (Going from the bed to the living room).

In 1983, Charly left Buenos Aires with a small suitcase. When he came back to Buenos Aires from New York, he brought a quality LP titled Clics Modernos (Modern Clix) that was different from anything previously done in Argentine rock — it was highly singable rock music you could also dance to. Its strong message referred the past years: Exodus in "Plateado sobre plateado (huellas en el mar)" (Silver on Silver, Footprints on the Sea), repression in "Nos siguen pegando abajo" (They keep hitting us down there), "No me dejan salir" (They won't let me out) and "Los dinosaurios" (The Dinosaurs), a nostalgic but defiant remembrance of those who were kidnapped or killed.

On December 10, the course of Argentine history took a turn as the government became a democracy. Charly performed many well-received shows in 1984, and recorded another album during its last months. García also recorded an LP called Terapia intensiva (Intensive care), another movie soundtrack. Piano Bar was released in 1984, completing García's golden trilogy. --- socialphy.com

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