1 	Novas Famílias    (Backing Vocals – Marcelo Jeneci) 	3:23
2 	Juntas 	3:27
3 	Árvores Alheias 	3:43
4 	Mãe Gentil    (Backing Vocals – Letrux)	2:45
5 	Só os Coxinhas 	2:30
6 	Climática 	3:01
7 	É Sexy É Gostoso 	3:26
8 	Do Mercosul 	4:39
9 	Pra Começar (Bonus Track) 	3:19

Starting her career before Brazilian rock of the '80s was commercially ripe, Marina Lima witnessed its creation from a privileged standpoint and participated in it as a successful pop star since 1984. Her most regular partner has been her brother, philosopher Antônio Cícero. Her biggest hits are "Fullgás" (Marina/Antônio Cícero), "À Francesa" (Marina/Antônio Cícero), "Pra Começar" (Marina/Antônio Cícero), "Nada Por Mim" (Herbert Viana/Paula Toller), "Eu Te Amo Você" (Kiko Zambianchi), "Ainda É Cedo," "Não Sei Dançar," and "Uma Noite e Meia." Her eclectic repertory features rock-tinged pop-dance music, blues, bossa nova, a typical samba-canção melancholy, and a very tiny pinch of jazz.

From five to 12, she lived in the U.S. where her father worked, and was taught to read in English before Portuguese. Attracted to psychoanalysis and music, Marina Lima (just Marina by then; she added her surname to her stage name in the '90s) started to write songs, opting for making a living in this career when Gal Costa recorded her "Meu Doce Amor" in 1977. The next year she formed a band that had a drummer who would be connected with the creation and the development of the Brazilian rock of the '80s, Lobão. Ricardo Barreto (guitar), Guto Barros (guitar), Zé Luís (sax), and Junno Homrich (bass) would also participate in that historic moment (they later became musicians of the seminal Brazilian rock band Blitz) as they were also in her band before the new genre took Brazil. Marina's first solo album, Simples Como Fogo (1979), already brought originals in the pop/rock style that would become mainstream in the next decade. But her first hit came in 1984, with "Fullgás," which had success with the title track "Me Chama" (Lobão) and "Mesmo que Seja Eu" (Roberto Carlos/Erasmo Carlos, here having its meaning altered as a confession of her bisexuality). Three years later, she appeared in the film Rádio Pirata (Lael Rodrigues) singing the main theme, which she also composed. With 15 albums released in Brazil as 2000, others were launched especially for the American market and dominated a period in which anxiety provoked a loss of voice; Marina Lima is one of the biggest divas of Brazilian rock. ---Alvaro Neder, allmusic.com

Composto por oito canções inéditas e uma regravação como faixa bônus Novas Famílias é o 21º disco da compositora e cantora Marina Lima. Sendo um retrato do momento atual da artista, o novo trabalho é fruto de seu interesse pelo agora e pelo Brasil. Explorando gêneros e estilos de forma autoral, Novas Famílias é diverso. Da guarânia “Novas Famílias” à balada “Do Mercosul”, Marina passa por samba funk (“Juntas”), música eletrônica (“Árvores alheias” e “Mãe gentil”), funk (“Só os coxinhas”), samba (“Climática”) e tecnobrega (“É sexy, é gostoso”). “São Paulo me reaproximou do Brasil, por ser tão diversificado e imenso como o país” observa a artista que há sete anos mora na capital paulista. ---saraiva.com.br

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1. "Pierrot"   Lima 5:47
2. "Arquivo II"   Lima 3:35
3. "Deixe Estar"   Lima 3:11		play
4. "Na Minha Mão"   Lima 4:20
5. "Sua" (Instrumental) Lima 2:36
6. "Uma Antiga Manhã"   Lima 2:53		play
7. "Leva (Esse Samba, Esse Amor)"   Britto, Lima 4:20
8. "Pra Ver Meu Bem Corar"   Lima 3:19
9. "Portos E Vinhos"   Lima 3:39
10. "Algo Me Pegou"   Carson, Lima 4:47

After dealing with personal and vocal problems since 1995, the pop singer Marina Lima returns with this release, co-conceived and directed by Suba, the Yugoslavian producer rooted in Brazil who died in 2000. The album's concept revolves around the theme of Brazil. Being a pop/dance music artist, Lima's foray into Brazilian culture seems opportunistic. One listen to Pierrot de Brasil reveals that her personal style (which is a mix of several incongruent styles) had to be severely changed to accommodate her new sound. Singing in a lower range than usual, including samples of pure choros ("Delicado" by Waldir Azevedo), several quotations of archetypal Brazilian items such as the Pierrot and the samba, in fact what Lima is doing is offering a stronger reference to his work, which doesn't have a solid root. As usual, the generous motherland is there to offer the generous shelter to its sons and daughters who only remember their roots for commercial reasons. The album shows only a superficial resemblance with Brazil, made of stereotypes. The opening track "Pierrot" addresses her return of the dark regions of suffering helped by the excerpt of the solo by Azevedo serving as motivic basis for the accompaniment, and by danceable electronics that try to emulate a samba, recourse retaken in the fifth track, the instrumental "Sua," with its weak melody. "Leva (Esse Samba, Esse Amor)" talks about "samba," but is propelled by a funk backbeat, with dull programmable drum machines trying unsuccessfully to instill some samba feel. "Pra Ver Meu Bem Corar" has retro-bossa exhumations. "Portos e Vinhos," freed from the obsessive programmed drone, essays a little dramatic density à la MPB, and carefully manages to convey the pop feel. The stylized drum machine samba returns in her version of Lori Carson's "Something's Got Me" ("Algo Me Pegou"). In sum, a pop album whose pretentious ambition of expressing some degree of Brazilianism is never reached, but which will work very well at the dance tracks, with the Brazilian elements serving only as an exotic spice. Nothing wrong with that, provided it's understood that the country's essence is aloof. Not even the most distinctive image of Brazil abroad, the picture of the Redemptory Christ, printed on the back cover, can help Lima on this. ---Alvaro Neder, allmusic.com

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1. $Cara Marina Lima - Antônio Cícero
2. Dois Elefantes - Herbert Vianna
3. Encarando Você - Marina Lima; Antônio Cícero
4. Extravios - Dalto; Antônio Cícero		play
5. À Francesa - Cláudio Zoli; Antônio Cícero
6. Garota de Ipanema - Tom Jobim; Vinicius de Moraes
7. …Que Tudo Amém - Marina Lima
8. Próxima Parada - Marina Lima; Antônio Cícero
9. Only You - B. Ram; A. Rand		play
10. $Cara Marina Lima - Antônio Cícero

Personal
Músicos Convidados: Luiz Avellar; André Gomes; Alexandre Fonseca; Sérgio Della;
 Mônica; Renato Della; William Magalhães; Torcuato Mariano; Repolho
Vocalistas Convidadas: Cecília Spyer e Ana Lúcia Leuzinger
Convidados Especiais: Cláudio Zoli, Léo Gandelman
Arranjo de Todas as Faixas: Marina; Carlos Martau; e convidados

A cantora e compositora carioca Marina Lima se impôs pela interpretação e originalidade na década de 80 e tornou-se um dos maiores nomes da Música Popular Brasileira.

Com influências que passam pelo pop, rock, blues, bossa-nova e música eletrônica, Marina gravou hits como “À Francesa”, “Fullgás”, “Nada por Mim”, “Uma Noite e ½”, “Pessoa”, entre tantas outras que arrebatam multidões. Em 2003, gravou seu 1º DVD, o “Acústico MTV”.

Além de explorar todos os campos da música, Marina também foi apresentadora do programa “Saia Justa”, no canal GNT.

Em junho de 2011, Marina lança CLIMAX, seu 19º álbum, que traduz seu atual momento profissional. Com canções inéditas, o disco é enriquecido pelas participações de Vanessa da Mata, Edgard Scandurra e Samuel Rosa. Marina percorrerá o Brasil e o exterior com o novo show, no qual estarão presentes todos os hits.--- marinalima.com.br

Marina Lima is a Brazilian singer born in Rio de Janeiro on September 17, 1955.

Starting her career before Brazilian rock of the ’80s was commercially ripe, Marina Lima witnessed its creation from a privileged standpoint and participated in it as a successful star. Having released her debut album, Simples Como Fogo, in 1979, she helped define the look and sound of the new MPB arising at the dawn of the new decade.

Citing as her early-career influences singers like Rita Lee and Gal Costa, it wasn’t until the release of her 5th album, Fullgás, released in 1984, that Marina really became a superstar. After that, several other successful albums followed, powered by hits like Fullgás (1984), Veneno (1984), Ainda é Cedo (1986), Virgem (1987) and À Francesa (1989). In 1990 Marina had the distinction of being the first artist whose video was played in the brand new MTV Brasil, with her video for the song Garota de Ipanema. The video would also be atop the first Top 10 countdown on the channel.

The continuing streak of hits was topped by the release of Marina Lima in 1991 (until then she was known simply by the name “Marina”) and O Chamado in 1993, after which she took a step back from the limelight and, while still releasing records, decided to attend to her personal life. For the next 10 years, singers like Marisa Monte, Adriana Calcanhotto and Ana Carolina would rise in popularity while Marina quietly released low-profile records.

Marina wouldn’t find herself in the center of attention again until the 2004 release of her MTV Unplugged, which combined a selection of hits, b-sides and new songs, and became the best-selling record and first DVD release of her career. ---superfm.com.pl

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