01. No Soporto
02. Que Digan lo Que Quieran
03. Amor Fatal
04. Alas de Libertad
05. Canto Canto
06. Cayendo
07. Por Verte Otra Vez
08. Cuesta Arriba, Cuesta Abajo
09. No Va Mas
10. Pasion Celeste
11. Mar

Natalia Oreiro 		Vocals, Artistic Director, Composer, Primary Artist
Mariano Barroso 	Tambourine
David Betancourt 	Arranger, Keyboard Programming, Producer
Brendan Buckley 	Bateria
Ed Calle 	Direcccion de Cuerdas
Claudia Garcia 		Coros
José Gaviria 	Arranger, Coros, Producer
Martín Ibarburu 	Bateria
Jacqueline 		Coro
Jose Lopera 	Bateria
Andrés Múnera 		Arranger, Cuerda, Keyboard Programming, Producer, Programming
Catalina Rodríguez 		Coros
Jaime Roos 		Arranger, Composer, Guitar (Bass), Producer
Kike Santander 		Arranger, Composer, Executive Producer, Producer
Fernando Tobon 		Arranger, Bajo Sexto, Guitar, Guitar (Bass), Guitar (Electroacoustic), Producer 

First of all let me say this much; I, for one, am more than thrilled that Natalia didn't follow the recent trend of leaving everything you are behind and selling out to the English-speaking market. She is and always will be a "Latina", which is why she should never have to try to pass herself off as anything else. And as for all you non-spanish speakers... LEARN THE LANGUAGE! It's a very beautiful and easy to learn one, so... go ahead!

As for the album... being an Oreiro-fan for quite a while and having followed her singing career quite well, I can easily say this is by far the best album she has ever made (from the vocal point of view). Her vocal abilities seem to have grown inmensely, while her music style has also changed completely. Going from the typical latin sound presented on her debut album, she has now switched to a more powerful type of music, leaning more towards rock, althout still mixed with many latin elements, beats, sounds, etc. This is a very enjoyable product for anyone and a definite must have for all the Oreiro-fans. --- Alejandra Montero, amazon.com

Natalia Oreiro zaczynała od ról w mydlanych operach. Na swojej trzeciej płycie udowadnia jednak, ze piosenkarką została nie przez przypadek. Wraca z pełnym energii albumem "Turmalina", który, według niej, jest najważniejszym krokiem w jej dotychczasowej muzycznej karierze. Krążek został nagrany w Stanach Zjednoczonych, podczas światowego tournée Natalii, a jego produkcją zajął się Kike Santander. 11 utworów z nowj płyty utrzymanych jest w pop - rockowej konwencji, ale sporo tu też odwołań do brzmień z lat 70. i 80. --- muzyka.onet.pl

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1 	De Tu Amor 	3:54
2 	Uruguay 	3:28
3 	Se Pegó En Mi Piel 	4:07
4 	Me Muero De Amor 	3:53
5 	Cambio Dolor 	4:01
6 	Valor 	3:11
7 	Sabrosito Y Dulzón 	3:54
8 	Vengo Del Mar 	3:33
9 	Huracán 	3:31
10 	Nada Más Que Hablar 	3:19
11 	Y Te Vas Conmigo 	3:31
12 	Que Si, Que Si 	3:00

Talented singer and actress Natalia Oreiro started working as a model at the age of 12, having the opportunity to join the Brazilian star Xuxa's dancing staff two years later. While still a teenager, Oreiro moved to Argentina, participating in a soap opera called Inconquistable Corazón, followed by roles in 1995's Dulce Ana and Ricos y Famosos. While filming Un Argentino En Nueva York, Natalia Oreiro realized her passion for music. She debuted with her first album in 1998. In the year 2000, the artist was awarded by E! Entertainment Television and invited to the Hispanic Gala at Miami. At the same time, Tu Veneno was released. ---Drago Bonacich, Rovi

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1.	Tu Veneno
2.	Rıo De La Palata
3.	Como Te Olvıdo
4.	Luna Brava
5.	Aburrida
6.	Estamos Todos Solos
7.	Gitano Corazon
8.	Febrero
9.	Donde Ira
10.	Basta De Ti
11.	Mata Y Envenena
12.	Si Me Vas A Dar Tu Amor
13.	Que Pena Me Das
14.	Un Ramıto De Vıoletas
15.	Caliente

Producer – Pablo Durand
Programmed By, Keyboards – Yoad Nevo

While Tu Veneno contains no shortage of Latin pop, it also has Natalia Oreiro's attempts for more rock credibility. Added to her usual mix of Latin rhythms and mainstream pop is a mixture of hard rock energy and even old-school production. While "Rio de la Plata" and "Como Te Olvido" are as polished and danceable as any Ricky Martin tune, "Aburrida" adds a Santana-like guitar lead to a song exhorting for more social consciousness. Similarly, "Febrero," an acoustic bluesy song, sounds like it could fit in a bar jukebox, and the title cut adds organs and guitar licks to a stripped-down arrangement. There's even a lovely cover of Boz Scaggs' "We're All Alone" with rewritten Spanish lyrics. Oreiro isn't always the strongest singer (her vocal limitations are most evident on "Febrero"), but she does fit her material, for the most part, and her charisma and energy make her compelling. In fact, it's really the unevenness of the songwriting that makes the album falter. The attempts at breaking from formula are commendable, but not entirely successful (though they do have their moments) and many of the straight-ahead pop songs, while pleasant and lively, are not especially distinctive. Still, Tu Veneno offers some intriguing moments, and makes for a promising listen. ---Victor W. Valdivia, Rovi

Po sukcesie, jaki odniósł jej pierwszy album, argetyńska aktorka Natalia Oreiro postanowiła poświęcić się przede wszystkim karierze piosenkarki. Duże nadzieje wiąże więc ze swoją drugą płytą - "Tu Veneno". Longplay utrzymany jest na pograniczu popu i rocka, bowiem artystka sięgnęła do wielu gatunków muzycznych: od bluesa, przez rockowe balady, aż po flamenco. W realizacji dzieła udział wzięli liczni goście, m.in. gitarzyści Michel Thompson i Michael Landau, którzy pracowali już z Madonną oraz Celine Dion. muzyka.onet.pl

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