01 - Fisherman
02 - Congoman
03 - Open up the Gate
04 - Children Crying		play
05 - La Bam Bam
06 - Can't Come In
07 - Sodom and Gomorrow
08 - The Wrong Thing		play
09 - Ark of the Covenant
10 - Solid Foundation

Watty Burnett - Vocals (Background)
Robert Johnson - Guitar (Rhythm)
Winston Wright - Organ
Boris Gardiner - Bass
Geoffrey Chung – Bass
Keith Stewart – Piano
Mikey "Boo" Richards - Drums
Noel "Scully" Simms - Percussion
Uziah "Sticky" Thompson – Percussion
Barry Llewellyn 	- Vocals (Background)
Candy McKenzie - Vocals (Background)
+
Sly Dunbar - Drums
Gregory Isaacs - Vocals (Background)
The Meditations - Vocals (Background)
Lee "Scratch" Perry - Percussion, Producer
Ernest Ranglin - Guitar

On Heart of the Congos Lee Perry created a masterpiece of music. Many critics consider this 1977 album one of the best roots records of all time, and at the very least, it was Perry's apex – only Junior Byles' Beat Down Babylon is an equal contender. Which is why it's all the more shocking that the record was turned down by Island, and even back in Jamaica it received only a limited release. It took nearly two decades for Heart of the Congos to reappear, finally reissued with a clutch of period bonus tracks by Blood and Fire. This here is an rip of the original vinyl from 1977.

The Congos themselves seem the least-likely contenders to record an exceptional album with Perry. The duo of Cedric Myton and Roy ''Ashanti''Johnson had a unique sound, revolving around the former man's crystalline falsetto, which was set off by the latter's rich tenor. The pair composed deeply cultural songs, but both men's vocals had a gentle quality that would wither under a typical deep roots arrangement. In fact, if anything, the producer was even more sympathetic to the Congos' styling and exhibited a musical self-restraint that astonished even his hardcore fans. Every track on the original album is worthy of classic status, and all presented the group and their songs in the best possible light. To this end, Perry was aided by a phenomenal group of sessionmen and guest backing vocalists which included Gregory Isaacs, a pair of Heptones, and the mighty Meditations. But beyond the Congos' superb songs and performance, the superb musicianship, and the exceptional vocal talents, it's Perry's arrangements that brought these numbers to life.

Each one was carefully tailored, taking into consideration the mood of the piece and the vocalist. The tribal beats of ''Congoman,'' for example, are just the song's launch pad; its the way the vocals and harmonies weave in and out that makes the piece extraordinary. ''Ark of the Covenant'' is stuffed to the brim with instrumentation, with the vocals soaring overhead, and brings the album to a religious fervor. In contrast, ''Solid Foundation'' is stripped back, a showpiece for Myton's marvelous falsetto. There's the stirring roots of ''Open the Gates'' and ''Sodom & Gomorrow,'' while rocksteady echoes across the deeply affecting ''Children Crying'' and ''La La Bam Bam.'' Every track offers something new: a unique sound, an unforgettable melody and rhythm, an unexpected arrangement. --- Jo-Ann Greene - allmusic.com

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CD1
01 - Fisherman
02 - Congoman
03 - Open up the Gate
04 - Children Crying		
05 - La Bam Bam
06 - Can't Come In
07 - Sodom and Gomorrow
08 - The Wrong Thing		
09 - Ark of the Covenant
10 - Solid Foundation

CD2
1) At The Feast (Of The Passover)  
2) Nicodemus (12'' Single Mix)  
3) Open The Gate (12'' Single Mix) 
4) Don't Blame It On I  
5) Play On Mr. Music {With The Upsetter Revue}  
6) Chances (Album Mix) 
7) Rainy Night In Portland  
8) Bring The Mackaback  
9) Congoman (12'' Single Mix)  
10) Congoman Chant  
11) Noah Sugar Pan  
12) Solid Foundation (Disco-Cork Mix)  
13) Nicodemus (7'' Single Mix) 
14) Nicodemus Dub  
15) Open The Gate (7'' Single Mix)  
16) Open The Gate Dub  
17) Too Late (12'' Single Mix)  
18) Rainy Night In Portland (Disco Mix)  
19) Rainy Night Dub  
20) Fisherman Dub

Watty Burnett - Vocals (Background)
Robert Johnson - Guitar (Rhythm)
Winston Wright - Organ
Boris Gardiner - Bass
Geoffrey Chung – Bass
Keith Stewart – Piano
Mikey "Boo" Richards - Drums
Noel "Scully" Simms - Percussion
Uziah "Sticky" Thompson – Percussion
Barry Llewellyn 	- Vocals (Background)
Candy McKenzie - Vocals (Background)
+
Sly Dunbar - Drums
Gregory Isaacs - Vocals (Background)
The Meditations - Vocals (Background)
Lee "Scratch" Perry - Percussion, Producer
Ernest Ranglin - Guitar

The words “Lee”, “Perry” and “genius” crop up together frequently; yet these days evidence of the producer’s excellence seems to be limited to erratic stage performances and wilful eccentricity. Heart of the Congos, however, is the most vivid example of what he’s capable of.

Recorded between 1976 and 1977, Heart… is all about Perry’s own breadth of vision and ingenuity despite an impressive cast, including Ernie Ranglin, Sly Dunbar and Gregory Isaacs. Heart… is part of Perry’s string of roots classics, but good as War Inna Babylon and Super Ape were, this collection leaves them standing.

The Congos came to Perry as a duo of Cedric Myton, a falsetto, and Roy Johnson, tenor. Perry immediately underpinned their harmonies by adding baritone Watty Burnett. This gave Myton’s soaring tones free rein on Ark of the Covenant and Solid Foundation, and added greater depth to the deep roots of Open Up the Gate and Sodom and Gomorrow. But most importantly, it connected to traditional Jamaican three-part harmonising, giving the singing a very familiar rocksteady-ish feel.

Perry’s mission at the Black Ark was to ruralise reggae, removed from Kingston’s urban edginess; and with these deeply spiritual Rastafarian singers he had the perfect focus for his musical creations. On Fisherman, Children Crying and La La Bam-Bam, he takes things so deep into the island’s interior you need a machete to hack through. Thick, blurring layers of drum and bass soften into each other, while the guitar cascades down like creepers, giving the plaintive singing the support it needs to keep moving.

In every instance the lyrics are never less than righteous, jumbling up biblical parables (Fisherman), beseeching Jah (Children Crying) or chanting down Babylon (Congo Man). The end result is the ultimate roots reggae statement. But in true Perry style, Heart… was mired in dispute and it took close to 20 years for the recommended (remastered and beautifully packaged) Blood & Fire version of the LP to come out.

Any preceding versions of this set are to be avoided. After all, if you’re going to buy the best roots reggae album ever recorded, you deserve to be able to hear it properly. ---Lloyd Bradley, bbc.co.uk

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