01. Leaving
02. The Waltz Of Emptiness		play
03. Does It Matter
04. City March
05. Children Of The Underground	play
06. In The Field
07. When Love
08. I Can't Sleep	
09. Green Storm
10. A Good Reason
11. I Opened My Heart (And You Moved In)
12. The Leap
13. No(t) Home
14. Neverchernyaya

Musicians:
Zulya (vocals, acoustic guitar) 
Children of the Underground are: 
Anthony Schulz (piano accordion), 
Lucas Michailidis (electric guitar), 
Andrew Tanner (double bass)
Justin Marshall (drums, percussion).

Guest Musicians:
Eamon McNelis - trumpet, 
Jordan Murray - trombone, 
Per Forsberg - tuba, 
Adam Simmons - bass clarinet, 
Julian Swinnerton - cello,
Carlos Boutros Carlos - banjo.

Male choir "Gorani":
Frank Hajncl, Roger King, Grant Mathews, Jorg Metz, Dudleigh Morse, Bob Segrave, Goph Shaw, Ian Vitcheff, Geoff Waters

Zulya strays from the oil fields of her native Tatarstan and finds herself on (and under) the chaotic streets of Moscow. With her new band, The Children of the Underground, Russian expate Zulya presents an all-original, Russian-language album about home and homelessness; belonging and freedom; difference and indifference; public transport and walking alone. A great voice, creative arrangements and great musicians.

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01-Saginou
02-Sahralarda
03-Onyta Almyim
04-Atikaemneng Oenda
05-Tugan Il			play
06-Hairan Bulam	
07-Al Bolubolum
08-Hadicha Abiem
09-Kubalagem
10-Minem Donyada
11-Sarman
12-Bishek Jyry
13-Aloukie			play

Personnel:
Mal Webb (bass guitar, acoustic guitar, talking drum, vocal percussion, jaw harp, trombone, various percussion); 
Martin Tucker (keyboard, kora, flute, piano, electric piano); 
Phil Bywater (saxophone); 
Anita Hustas (double base); 
Rochelle Bowles (tabla); 
Rodney Wright (tabla) 
Softa Chapman (accordion); 
Rada (didgeridoo); 
Joseph Jordania (backing vocals); 
Zulya Kamalova (lead vocals, mbira, acoustic guitar).

Zulya' s second release Aloukie awarded World Music Album of the Year 2000 in Australia continues to enjoy high acclaim.Following the success of her debut album Journey of Voice in 1997 which has taken her touring nationwide and made her ABC Radio National favourite, in this yet another exciting creative project Zulya brought us the songs from her Tatar heritage. Critics said: "..There's a lot to enjoy here, and I suspect I'll be returning to it again and again", Simon Broughton, Songlines. "Some music seems as wise as the Earth itself… Majestic, beautiful, thank you", Rockin' Lachlan, Getout Magazine. In Aloukie Zulya centers vocally on the hauntingly beautiful Tatar singing style, she grew up around in the heart of Russia. It is a sound originating somewhere in between Eastern Europe and Far East, that musicologists call "a bridge between Mongolian and Hungarian music". Zulya presents the traditional songs and the original compositions in a unique cross-cultural interpretation, celebrating the musical diversity she has experienced in the years of living in Australia. She says "Having settled here I realised the importance of not only sharing one's culture but also creating a unique Australian culture." Featuring a host of talented musicians she has arranged the songs using instruments as varied as didgeridoo, tabla, kora, double bass, bassoon, talking drum, thumb piano, flugel horn and piano accordion among others. Aloukie means a soulful song, that invokes memories of home. Zulya's crystalline voice shares the richness and strength of her culture whilst making a distinct new Australian sound. All songs traditional, except 1, 6, 8, 10 by Zulya.

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