01. Hold On To My Love (Leo Sayer, Barry Mann, Cynthia Weil) - 3:06
02. You Make Me Feel Like Dancing (Leo Sayer, Vini Poncia) - 3:36
03. Reflections (Brian Holland, Lamont Dozier, Eddie Holland) - 3:05				play
04. When I Need You (Albert Hammond, Carole Bayer Sager) - 4:09
05. No Business Like Love Business (Brad Shapiro, Clarence Reid, Steve Alaimo, Willie Clarke) - 3:49
06. I Hear The Laughter (Leo Sayer, Johnny Vastano) - 3:10
07. Magdalena (Danny O'Keefe) - 4:20
08. How Much Love (Leo Sayer, Barry Mann) - 3:33
09. I Think We Fell In Love Too Fast (Leo Sayer, Johnny Vastano, Vini Poncia) - 3:04			play
10. Endless Flight (Andrew Gold) - 4:33
Bonuses:
11. Tears Of A Clown (Henry Cosby, Smokey Robinson, Stevie Wonder) - 3:32
12. Milky White Way - 3:25

Personnel:
- Leo Sayer - guitar, harmonica, vocals
- John Barnes, Richard Tee, John Barlow Jarvis, Michael Omartian, Bill Payne, Mark T. Jordan, Jimmy Phillips, James Newton Howard - keyboards
- Chuck Rainey, Willy Weeks, Andy Muson, David Hungate, Bill Bodine, Lee Sklar, Bob Glaub - bass
- Ray Parker, Lee Ritenour, Auburn Burrell, Larry Carlton, Dean Parks, Earl Slick, John Vastano - guitar
- Steve Gadd, Ed Greene, Rick Shlosser, Jeff Porcaro - drums
- Bobbye Hall Porter - percussion
- Trevor Lawrence, Bobby Keys, Steve Madaio - horn
- Clydie King, Becky Louis, Shirley Matthews - backing vocals

Richard Perry's production on Endless Flight, coupled with the tremendous song selection, makes it superior to the 1977 follow-up, Thunder in My Heart (also produced by Perry, but with not as much heart), with this project remaining big through most of that same year. The two number one hits, a catchy Vini Poncia/Leo Sayer co-write, "You Make Me Feel Like Dancing," and a cover of the title track to Albert Hammond's 1976 disc, When I Need You, are essential career components that sound great years later. It's amazing how much more substantial this album is over the somewhat contrived Thunder in My Heart which followed. Opening the disc with a Barry Mann/Cynthia Weil/Leo Sayer song like "Hold on to My Love" is how to get yourself into the history books before the record is even out of the box. The Barry Mann/Leo Sayer composition "How Much Love" on side two was the third chart single, going a bit beyond the Top 20 in the U.S. With strings arranged by Gene Page, Ray Parker on guitar, and Steve Gadd on drums, Sayer had a leg up on the competition. There's a cool photo of the tall Richard Perry walking down the street with the smaller-framed Sayer, and their working relationship reached its commercial zenith here. Willie Weeks provided the bass to "When I Need You" with Jeff Porcaro on drums, David Bowie's guitarist Earl Slick on guitar, and Michael Omartian and James Newton Howard on keys (Omartian and Larry Carlton both show up on Albert Hammond recordings as well); it's perfect musicianship and perfect timing for this most artistic project by Sayer. The title track, written by Andrew Gold, is a standout, featuring Nigel Olsson on drums and Paul Buckmaster on strings, both borrowed from Elton John's camp. As this writer has stated about Albert Hammond, the same holds true for Leo Sayer; both these artists could have challenged Elton John for chart dominance had they put as much into all their albums as Hammond did with It Never Rains in Southern California and as Richard Perry and Leo Sayer put into Endless Flight. Covers of Danny O'Keefe's "Magdalena" and the Supremes' "Reflections" embellish the album chock-full of hits, a stirring title track, and superb musicianship. It's a career album with lots to offer the world. --- Joe Viglione, allmusic.com

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01. Beautiful Year (05:35)
02. Competing with a DJ (03:14)
03. How Did We Get so Old (04:42)
04. Revolution of the Heart (03:38)
05. Millennium Wheel (04:45)
06. Restless Years (03:08)
07. One Green World (06:59)
08. The Wrong Man (04:42)
09. Look Around (04:00)
10. The Radio Song (04:35)
11. Sometimes Things Go Wrong (04:49)
12. To the River (04:34)
13. Mister in Between (03:58)
14. I Got It All Back (04:01)
15. Tell the Truth (03:18)
16. Yes It Is (03:22)

You’d be completely forgiven for wondering whether Leo Sayer’s days as a songwriter were over. It’s been six years since his last studio album, and even longer since he enjoyed his place amongst the elite songwriters in the business throughout the 1980s and 90s.

However, a new album released this week shows that Leo Sayer hasn’t missed a step. Moving now into the autumn of his storied career, Sayer has produced a thirteen song collection that finds him on fun but contemplative form.

Before even hearing the songs, the track titles give a strong indication of the album’s tone. ‘Competing With A DJ’, ‘How Did We Get So Old’, ‘Restless Years’ and ‘Sometimes Things Go Wrong’ all suggest a man who is looking back at the changing of the times. However, this isn’t a sorrowful moratorium on how life used to be better. Instead it’s upbeat, hopeful, a songwriter enjoying the fact that he has so much to look back on.

It makes for a truly enjoyable album of true pop music with an acoustic/country tinge and a dash of blues rock. Pop music fans would be missing a trick if they neglected this gem of an LP from a songwriter who has definitely still got it. --- culturefly.co.uk

It’s easy to forget that Sayer had numerous hits over the decades as he hasn’t released anything new in six years. Strangely this album ranges in style from country to rock and of course his own favourite genre, dance groove, which he tends to revel in. On tracks like Competing With A DJ he showcases his high range and his unique way of phrasing. There’s a fair dose of middle-of-the-road songs like the title track and the well-rounded (a-hum) Millennium Wheel. Whereas How Did We Get So Old is more true to his classic quirky sound. --- themusic.com.au

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