1 	Hoy Hey (Live To Rock) 	
2 	Pedal To The Metal 	
3 	Goin' Wild 	
4 	Ain't None Of Your Business (Live) 	
5 	Party 	
6 	Jailbait 	
7 	Bad Girl 	
8 	Fight For The Right 	
9 	(Work That Muscle) F**k That Booty 	

Bass Guitar, Backing Vocals – Greg Smith
Drums, Backing Vocals – T.C. Tolliver
Lead Guitar, Rhythm Guitar, Backing Vocals – Michael Ray
Lead Vocals – Wendy O. Williams 
+
Guitar - Les Beech

Although best known as the death-defying leader of the Plasmatics, Wendy O. Williams issued several albums on her own during the 1980s. And while her earlier band was a certified punk outfit, by this stage of her career, Williams was zeroing in on the heavy metal audience -- Gene Simmons had produced an earlier album, while the singer was spotted hosting a heavy metal video show on the USA cable channel. So by the time of 1986's Kommander of Kaos, Williams was knee-deep in metal. Once more, Simmons' name makes an appearance on a Williams record (not as a producer this time, but as a songwriter -- "Ain't None of Your Business"), while Williams covers Motörhead's "Jailbait," and the main riff of the album's opening "Hey Hey (Live to Rock)" is quite reminiscent of Mötley Crüe's "Live Wire." While Kommander of Kaos was probably just as good as just about anything else that theatrical-minded metallists were putting out that year (W.A.S.P., Lizzy Borden, etc.), Williams was much more convincing as a Mohawk-ed punker. ---Greg Prato, AllMusic Review

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1. I Love Sex (And Rock and Roll) 
2. It's My Life 
3. Priestess 
4. Thief in the Night 
5. Opus in Cm7 
6. Ready to Rock 
7. Bump 'N' Grind 
8. Legends Never Die 
9. Ain't None of Your Business

Bass Guitar – Reginald Van Helsing, Gene Simmons
Drums – Eric Carr, T.C. Tolliver (1,5,7)
Lead Guitar – Michael Ray (1, 3, 6, 8, 9)
Lead Vocals – Wendy O. Williams
Rhythm Guitar – Wes Beech
Guitar - Micki Free, Ace Frehley, Paul Stanley
Piano - Mitch Weissman

Wendy O. Williams wasted no time staking out a solo career following the Plasmatics' 1983 breakup. She found a patron in Kiss' tongue-wagging bassist Gene Simmons, who'd taken her old band on tour as a support act. The result led to Simmons' first production work outside of Kiss (while he credited his bass playing as Reginald Van Helsing, a pseudonym that didn't fool astute fans). Simmons felt that Williams could succeed on her own terms, with better material and production. Simmons was half-right: his impressive production work stacks saber-toothed guitars on lush keyboards without burying Williams' two-fisted attitude. A solid supporting cast of former Plasmatics guitarist Wes Beech and drummer T.C. Tolliver doesn't hurt. Neither do cameos by Kiss guitarists Paul Stanley, Ace Frehley, and late drummer Eric Carr. Simmons himself co-writes five tracks (which also carry the names of Plasmatics bassist Junior Romanelli and lead guitarist Richie Stotts, who aren't actually on the album). Williams sounds sturdy and self-assured on the raunchy romps of "I Love Sex (And Rock 'N' Roll)" and "Bump and Grind," although the standout track is the Simmons/Stanley anthem "It's My Life," a thumping pop-metal vow to "do what I like." Another highlight is the pop ballad "Legends Never Die," as close to a conventional vocal performance as Williams ever managed. (The main riff went unused on Kiss' own Creatures in the Night album [1982], until Simmons dusted it off for inclusion here.) In some ways, Williams' first solo venture amounts to a watered-down echo of the Plasmatics' own bid for mainstream success, Coup d'Etat (1982), minus the latter record's radical political bent. That's not surprising, with the ever-career-conscious Simmons manning the producer's chair. Despite his best efforts, however, Williams would stay a quintessential cult artist. While not a remarkable record, WOW offers a convincing enough glimpse of the stardom that should have been hers all along. --- Ralph Heibutzki, allmusic.com

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