A1 	More Than A Feeling 	4:44
A2 	Peace Of Mind 	4:55
A3 	Foreplay/Long Time 	7:56
B1 	Rock & Roll Band	2:59
B2 	Smokin' 	4:44
B3 	Hitch A Ride 	3:18
B4 	Something About You 	4:19
B5 	Let Me Take You Home Tonight 	4:12

Acoustic Guitar – Tom Scholz
Acoustic Guitar [12-string] – Brad Delp
Bass – Fran Sheehan, Tom Scholz
Clavinet – Tom Scholz
Drums – Sib Hashian
Drums – Jim Masdea (B1)
Harmony Vocals – Brad Delp
Lead Guitar – Barry Goudreau, Tom Scholz
Lead Vocals – Brad Delp
Organ – Tom Scholz
Percussion – Brad Delp, Sib Hashian, Tom Scholz 
Rhythm Guitar – Barry Goudreau, Brad Delp, Tom Scholz

Boston is one of the best-selling albums of all time, and deservedly so. Because of the rise of disco and punk, FM rock radio seemed all but dead until the rise of acts like Boston, Tom Petty, and Bruce Springsteen. Nearly every song on Boston's debut album could still be heard on classic rock radio decades later due to the strong vocals of Brad Delp and unique guitar sound of Tom Scholz. Tom Scholz, who wrote most of the songs, was a studio wizard and used self-designed equipment such as 12-track recording devices to come up with an anthemic "arena rock" sound before the term was even coined. The sound was hard rock, but the layered melodies and harmonics reveal the work of a master craftsman. While much has been written about the sound of the album, the lyrics are often overlooked. There are songs about their rise from a bar band ("Rock and Roll Band") as well as fond remembrances of summers gone by ("More Than a Feeling"). Boston is essential for any fan of classic rock, and the album marks the re-emergence of the genre in the 1970s. ---Vik Iyengar, AllMusic Review

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1. Don't Look Back 6'00
2. The Journey 1'44
3. It's Easy 4'27
4. A Man I'll Never Be 6'38
5. Feelin' Satisfied 4'11
6. Party 4'07
7. Used To Bad News 2'56
8. Don't Be Afraid 3'48

Brad Delp – lead and harmony vocals
Barry Goudreau – lead guitar, slide guitar, rhythm guitar (1,2,7,8) 
Sib Hashian – drums, percussion
Tom Scholz – lead guitar, rhythm guitar, bass guitar, organs, piano, percussion
Fran Sheehan – bass guitar, percussion (1)

Boston's many fans were upset that it took the band two years to follow up its monster debut. When it arrived, the sophomore effort DON'T LOOK BACK was a virtual rewrite of BOSTON. This didn't stop the masses from snapping up the album, which ultimately racked up sales in the multi-platinum range.

Boston sounds inspired on the anthemic title track. Other standout tracks include "It's Easy" and "Man I'll Never Be." The hard-rocking "Don't Be Afraid" closes the album. And two years would prove to be nothing in light of the eight-year hiatus between DON'T LOOK BACK and Boston's next release, 1986's THIRD STAGE. ---allmusic.com

One of the ‘70s’ most remarkable breakthrough success stories turned sour with the release of a second album that redefined the “sophomore slump” – and all because it was so late on arrival.

Sure, over the past few decades, classic rock fans have grown increasingly accustomed to waiting four, five, even seven or eight years between the release of their aging heroes’ studio albums. But, back in the ’70s, the meager two years separating Boston‘s landmark, record-breaking debut from its 1978 successor Don’t Look Back felt more like 200 years to impatient Epic Records executives.

Not so, however, for Boston’s demanding leader, guitarist and songwriter Tom Scholz, who was simultaneously coping with label pressure and management headaches while attempting to get on with the considerable workload involved in writing and recording new songs. Once again, he was crafting and recording Boston’s sophomore LP virtually singlehanded in his basement studio – so it took a while.

When Don’t Look Back finally arrived in record stores on Aug. 2, 1978, it went straight to No. 1. In fact, the album sold four million copies during its first month of release. Sales were powered, no doubt, by a title track which met every expectation set by Boston’s nearly perfect debut, reaching No. 4 on the Billboard charts. Other highlights, including “A Man I’ll Never Be” and “Feeling’ Satisfied,” also came mighty close.

Still, remaining tunes like “It’s Easy,” “Used to Bad News” and “Don’t be Afraid” unquestionably fell short of Scholz’s exacting standard. He chose to openly and undiplomatically deflect every bad review received (and there weren’t all that many) by accusing Epic Records of rushing him into finishing the album before he felt it was ready. Listeners no doubt noticed that Don’t Look Back barely eclipsed the half-hour mark, which also served to validate the guitarist’s assertion that he’d run out of time.

Turns out, the next wait would be far longer. As Tom Scholz began slowly piecing together new songs for Boston’s third album, he seemed determined to obey no clock except that of his muse. CBS Records ultimately filed suit, alleging breach of contract. Before long, both parties were locked in a bitter court battle that would span years and leave loyal Boston fans trapped in their own kind of purgatory, awaiting some resolution.

By the time Boston’s depleted lineup finally produced 1986’s Third Stage through MCA, the band had lost something even more important than piles of money in legal fees: career momentum. They simply never recovered. --- Eduardo Rivadavia, ultimateclassicrock.com

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