Blues The best music site on the web there is where you can read about and listen to blues, jazz, classical music and much more. This is your ultimate music resource. Tons of albums can be found within. http://theblues-thatjazz.com/pl/blues/4659.html Fri, 19 Apr 2024 22:09:50 +0000 Joomla! 1.5 - Open Source Content Management pl-pl Speckled Red – Complete Recorded Works 1929-1938 (1993) http://theblues-thatjazz.com/pl/blues/4659-speckled-red/17379-speckled-red--complete-recorded-works-1929-1938-1993.html http://theblues-thatjazz.com/pl/blues/4659-speckled-red/17379-speckled-red--complete-recorded-works-1929-1938-1993.html Speckled Red – Complete Recorded Works 1929-1938 (1993)

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SPECKLED RED
Vocal acc by own (p) or piano solo.
Peabody Hotel, Memphis, Tenn., September 22, 1929.
01. M 184	House Dance Blues
02. M 187-C	The Dirty Dozen (No. 1)
03. M 188-D	Wilkins Street Stomp - p

SPECKLED RED
Vocal acc by own (p).
Chicago, April 8, 1930.
04. C 5584?-C	The Dirty Dozen - No. 2
05. C 5585?	We Got To Get That Fixed
06. C 5588	Speckled Red's Blues
07. C 5590	The Right String - But The Wrong Yo Yo
08. C 5591	Lonesome Mind Blues

SPECKLED RED
Speckled Red (p, vo), Robert Lee McCoy (g), Willie Hatcher (md), Sonny Boy Williamson (h-1).
Aurora, Illinois, December 17, 1938.
09. 030838-1	Welfare Blues
10. 030839-1	Down On The Levee
11. 030840-1	Do The Georgia
12. 030841-1	Early In The Morning
13. 030842-1	Take It Easy
14. 030843-1	Try Me One More Time
15. 030844-1	Louise Baltimore Blues
16. 030845-1	What Makes You Treat Me Mean ?
17. 030846-1	St. Louis Stomp
18. 030847-1	You Got To Fix It -1

WILLIE HATCHER
Speckled Red (p), Robert Lee McCoy (g), Willie Hatcher (md, vo).
Aurora, Illinois, December 18, 1938.
19. 030866-1	They're Mean To Me
20. 030867-1	So Unkind

Bonus Tracks

SPECKLED RED
Vocal acc by own (p).
St. Louis, Mo., September 2, 1956.
21. 19	Dad's Piece
22. 21	Oh Red
23. 22	Early In The Morning

 

Speckled Red is a name that appears in blues and boogie-woogie piano collections alongside Cow Cow Davenport, Roosevelt Sykes, Romeo Nelson, Will Ezell, Montana Taylor, and Clarence "Pinetop" Smith. In 1994, all of his early recordings were compiled onto one compact disc by Document, a noble gesture that made these historic performances readily available worldwide for the first time. Rufus Perryman was born in Monroe, LA in 1892, the son of a blacksmith and ultimately one of 16 children. Albinism, the source of Rufus' professional nickname, ran in the family to some degree, for his little brother William (19 years his junior) was similarly complected and eventually became world famous as Piano Red. Rufus grew up in Hampton, GA, played church organ as a boy, fell under the influence of a Floridian pianist named Seminole, and then spent a lot of time in Detroit and Memphis, gigging at cat houses, clubs, and parties. He joined the Red Rose Minstrels in 1928, and while touring with that troupe, met Hudson Whittaker (Tampa Red) and Jim Jackson. Speckled Red's recording debut was as a sideman on "Jim Jackson's Jambouree"; he cut his first records under his own name at the Peabody Hotel in Memphis in September of 1929. Red's most famous recording, "The Dirty Dozen" derived from a traditional African-American insult ritual (still alive and well decades later and immortalized in Eminem's movie Eight Mile); one theory states that it was originally a send-up of a religious catechism. Naturally, Red's recorded version was much less abrasive and obscene than what was usually heard in person. This very successful record spawned a sequel at his second recording session, which took place in Chicago in April 1930. He wouldn't record again until December of 1938 when he cut 12 titles for Bluebird in Aurora Illinois with guitarist Robert Lee McCoy and mandolinist Willie Hatcher. If, as the discographies say, Sonny Boy Williamson was present on "You Got to Fix It," he was doing something other than blowing into the mouth organ. Unable to earn a stable livelihood as a recording musician, Rufus worked for years as a shipping clerk. This excellent compilation closes with three unaccompanied solos he recorded for the small-time Tone record company in St. Louis in September 1956. By then he was enjoying a comeback that would take him to California, London, and Copenhagen. Document's survey of these early recordings may serve as the ideal prologue to his final albums which were largely produced in Europe. Rufus "Speckled Red" Perryman succumbed to cancer in November 1973. His body was laid to rest in St. Louis. ---arwulf arwulf, Rovi

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