Evolution
1. Me Hace Tanto Bien
2. Cuando Digo Tu Nombre
3. Se Me Va La Voz
4. Como Me Duele (Cielo de Acuarela)
5. Tu Amor Perdí
6. Dibujando Un Corazón (Mas Alla)
7. De Nada Sirve Hablar
8. No Lo Beses
9. Una Lagrima En El Corazón
10. Imagina
11. Manana Es Para Siempre

Tradition
01. Pecadora
02. Me Dueles
03. Estuve
04. Unas Nalgadas
05. Bandida
06. Nada de ti
07. La Seven – Dúo con Joan Sebastian
08. La Historia Que No
09. Ya Se Acabó
10. Mi Rechazo
11. Maldita Costumbre

Alejandro Fernandez's superstardom lies in his ability to convincingly deliver in both pop and mariachi, with alternating releases in each genre. With new two-disc set "Dos Mundos," Fernandez tackles both simultaneously-and the results are well-crafted, sophisticated takes on each style. The pop songs range from anthemic ballads to tunes with prominent acoustic string, piano and even accordion touches ("Dibujando Un Corazon"). But legendary regional Mexican artist Joan Sebastian's masterful production on the mariachi set stretches the genre's boundaries, lending it a confident breeziness. Highlights are a spirited bolero ("Pecadora") and an almost American country-style "La Historia Que No" that one can imagine as a vintage "MTV Unplugged" production. Those who buy the pop and mariachi albums separately won't be disappointed, but the versatility of Fernandez and his producers can best be appreciated in combination. ---Ayala Ben-Yehuda, billboard.com

In 2009, Alejandro Fernández displayed two different sides of his artistry with his albums Dos Mundos: Evolución and Dos Mundos: Tradición. While Evolución emphasizes his Latin pop side, Tradición has a stronger ranchera/mariachi factor -- which is not to say that Tradición will be mistaken for a collection of Antonio Aguilar recordings from the ‘50s and ‘60s. Fernández doesn't divorce himself from his Latin pop background on Tradición; in fact, most of the songs were written by Latin pop superstar Joan Sebastian -- but the ranchera/mariachi element is noticeably stronger on Tradición than it is on Evolución. And clearly, Tradición and Evolución each have their own personalities. Evolución is essentially Latin pop with regional Mexican overtones, whereas Tradición favors more of an integration of ranchera and Latin pop elements. So which of the two albums is the most enjoyable? Actually, they are both enjoyable. And even though some people may opt to acquire Tradición and Evolución separately, Fernández has plenty of die-hard fans who will no doubt want to obtain Dos Mundos: Evolución y Tradición, which combines the albums as a two-CD set. It should be noted that Fernández isn't the only Mexican vocalist who has compartmentalized his Latin pop and ranchera sides; in 2008, Rocío Banquells' simultaneously came out with a pop-oriented live album (Nací Para Ti: Baladas) and a ranchera/mariachi-oriented live album (Nací Para Ti: Rancheras). She really dug into the Great Mexican Songbook on the latter, performing time-honored standards such as "La Puerta Negra" and "Cucurrucucu Paloma" (if Tin Pan Alley can be called the Great American Songbook, is there any reason why classic ranchera gems shouldn't be called the Great Mexican Songbook?). In contrast to Banquells' performances on Nací Para Ti: Rancheras, this release isn't as hardcore in its ranchera-isms. But then, Fernández never claimed to be a ranchera purist -- nor did Banquells, for that matter -- and Tradición is a likable effort whether one is enjoying it as a stand-alone CD or as half of the double-disc Dos Mundos: Evolución y Tradición. --- Alex Henderson, Rovi

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01. Me Dedique A Perderte 
02. Te Voy A Perder 
03. Canta Corazón 
04. Si Tú Supieras 
05. Quisiera 
06. ¿Qué Voy A Hacer Con Mi Amor? 
07. En El Jardín 
08. No Se Me Hace Fácil 
09. Háblame 
10. No Se Olvidar 
11. Que Lástima 
12. Quiereme 
13. Eres 
14. Todo (Live)

Shortly after Alejandro Fernández left Sony for Universal, his former label compiled a bunch of his singles and a few album tracks for release as Más Romantico Que Nunca: Sus Grandes Éxitos Romanticos. The premise of the album is that it's romantically themed, but essentially all of Fernández's pop material is, so billing the album as "his greatest romantic hits" seems like stating the obvious. Make no mistake, the point of this compilation is to cash in on the continued popularity of Fernández, who was riding high on the success of the Dos Mundos double album at the time of this compilation's release. Only three years earlier Sony released 15 Años de Éxitos (2007), an excellent compilation of Fernández's greatest hits to date, six of which are reprised here on the 14-track Más Romantico Que Nunca: Sus Grandes Éxitos Romanticos. As if comprising almost half of this compilation with material from another compilation released a mere three years earlier weren't redundant enough, Sony opens both compilations with the same exact song, "Me Dediqué a Perderte." Without question it's a beautiful song, but its reappearance here as track one is sure to make fans who paid hard-earned money for both of these compilations feel cheated. What fans really needed wasn't a rehashed version of 15 Años de Éxitos but rather a follow-up collection that picked up where its predecessor left off, compiling hit singles that were overlooked last time as well as highlights from the subsequently released Sony albums Viento a Favor (2007) and De Noche: Clásicos a Mi Manera (2008). To be fair, Más Romantico Que Nunca: Sus Grandes Éxitos Romanticos is full of great music that flows together well and sets the mood for love instantly. Out of the collection's 14 tracks, 11 were hit singles, and nothing here predates Me Estoy Enamorando (1997), the album that marked the debut of Fernández as a romantic pop balladeer. --- Jason Birchmeier, Rovi

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01. Cuando Digo Tu Nombre
02. Mi Rechazo
03. Me Hace Tanto Bien
04. Vamos A Darnos Tiempo
05. Cielo De Acuarela Aka Como Me Duele
06. Unas Nalgadas               play
07. Tú Sabes Quien
08. Celebración De Amor        play
09. Felicidades
10. No Lo Beses
11. Estuve
12. Se Me Va La Voz
13. Tú Sabes Quien

Dos mundos revolución en vivo reúne lo mejor en concierto de los "Dos mundos" (Evolución y Tradición) de Alejandro Fernández.

Grabado en directo en el Lunario de la ciudad de Mexico el 1 de septiembre de 2010, Alejandro fue acompañado de trece músicos para realizar está producción discográfica; entre estos se encuentra Mario Alberto Zapata, el acordeonista de Grupo Pesado, el percusionista Luis Conte, quien ha participado en varias giras con Madonna y Phil Collins y Ramon Stagnaro quien es guitarrista de sesión de David Foster y Humberto Gatica.

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