01. Bonnie And Clyde (Serge Gainsbourg) - 4:13 - Brigitte Bardot & Serge Gainsbourg		play
02. Bubble Gum (Serge Gainsbourg) - 1:43 - Brigitte Bardot
03. Comic Strip (Serge Gainsbourg) - 2:09 - Serge Gainsbourg
04. Un Jour Comme un Autre (Gerard Bourgeois/Jean Max Riviere) - 2:19 - Brigitte Bardot
05. Pauvre Lola (Serge Gainsbourg) - 2:20 - Serge Gainsbourg
06. L'eau À La Bouche (Serge Gainsbourg/Alain Coraquer) - 2:28 - Serge Gainsbourg
07. La Javanaise (Serge Gainsbourg) - 2:28 - Serge Gainsbourg
08. La Madrague (Gerard Bourgeois/Jean Max Riviere) - 2:32 - Brigitte Bardot
09. Intoxicated Man (Serge Gainsbourg) - 2:36 - Serge Gainsbourg						play
10. Everybody Loves My Baby (Jack Palmer/Spencer Williams) - 2:10 - Brigitte Bardot
11. Baudelaire (Serge Gainsbourg/Ch.Baudelaire) - 2:25 - Serge Gainsbourg
12. Docteur Jekyll And Mister Hyde (Serge Gainsbourg) - 1:58 - Serge Gainsbourg

Personnel:
- Brigitte Bardot - vocals
- Serge Gainsbourg – vocals
- Michel Colombier Et Son Orchestre

"Bonnie and Clyde" is a French language song written by Serge Gainsbourg, and performed by Gainsbourg and Brigitte Bardot. It is based on an English language poem written by Bonnie Parker herself a few weeks before she and Clyde Barrow were shot, entitled "The Trail's End". The song tells the story of the outlaw couple Bonnie and Clyde. It was released on two albums in 1968: Gainsbourg's album Initials B.B., and Gainsbourg and Bardot's album Bonnie and Clyde.

"Ces douze titres de Brigitte et de moi sont autant de chansons d'amour. Amour combat, amour passion, amour physique, amour fiction. Amorales ou immorales peu importe, elles sont toutes d'une absolue sincerité. - Gainsbourg."

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1. L'appareil a sous (1:28)
2. La Madrague (2:36)
3. Moi je joue (1:40)
4. Invitango (2:34)
5. Ca pourrait changer (1:41)
6. Ne me laisse pas l'amimer (1:47)
7. Maria Ninguem (2:39)
8. Comic Strip (w. Serge Gainsbourg) (2:11)		play
9. Ciel de lit (1:39)
10.BBonnie and Clyde (w. Serge Gainsbourg) (4:16)
11.Bubble Gum (1:47)
12.Le Soleil (3:18)
13.Harley Davidson (2:30)		play
14.Contact (2:21)
15.Oh! qu'il est vilain (2:32)
16.Le diable est anglais (2:35)
17.Nue au soleil (2:22)
18.Tu veux ou tu veux pas (2:33)
19.Je t'aime...moi non plus (w. Serge Gainsbourg) (4:31)

Was Brigitte Bardot a "good" singer, in the conventional sense? No. Was the material she sang in the 1960s especially deep or brilliant? No. But is this 19-track compilation of the cream of her 1963-1970 recordings a fun listen? Yes indeed. Although not the owner of conventional high-level vocal skills, Bardot invested her frivolous songs with a contagious sense of playful fun, and a refusal to take the music or herself too seriously. Certainly some of the tunes -- and their breathy delivery -- capitalize on her iconic sex kitten persona. But the guileless joy she projects is reminiscent of some of the early work by France Gall (one of the finest '60s French pop singers), though Bardot's voice is less girlish and more adult in tone. Like the better French pop of the 1960s, the tracks on this disc -- an "extremely selective compilation," the liner notes state, of a '60s discography that strung together "fine pearls and cheap imitations, scintillating gems and tawdry kitsch" -- have a likable giddiness that borrows from early-'60s girl group and twist rock & roll on the earlier sides, and bears a slight psychedelic influence on some of the later ones. It's a pretty versatile bunch, though, also venturing on occasion into melodic sentimental Continental ballads and (less successfully) theatrical chanson and vaudevillian territory. Some of the standouts, naturally, are found in the seven Serge Gainsbourg compositions, including the eerie Eastern-influenced "Contact" (arguably her most interesting recording), and "Harley Davidson," but also the famous Bardot-Gainsbourg vocal duets "Comic Strip," "Bonnie and Clyde," and "Je T'Aime...Moi Non Plus." (The last of these, unreleased at the time it was recorded in 1968 due to nervousness over its sexually explicit nature, of course became a big international hit when Gainsbourg re-recorded it using Jane Birkin as his duet partner.) The numerous tracks to which composers Jean-Max Rivière and Gérard Bourgeois contributed, however, have their share of highlights too, even if they lack the strange edge of Gainsbourg's songs. [DRG's U.S. reissue of The Best of Bardot omits one track, "Je Reviendrai Toujours Vers Toi," from the version released in Europe, though no one seems to have told annotator Christophe Conte, who makes special mention of it. --- Richie Unterberger, Rovi

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01. L' Appareil A Sous (Gainsbourg) 1:30
02. Invitango (Bolling/Riviere) 2:35
03. Les Amis de la Musique (Riviere/Spanos) 2:58
04. Pas Davantage (Klein) 2:38				play
05. La Madrague (Bourgeois/Riviere) 2:38
06. El Cuchipe (Cesari/Orozco/Ramirez) 2:59
07. Everybody Loves My Baby (Palmer/Williams) 2:14	  play
08. C'Est Rigolo (Bourgeois/Riviere) 2:54

- Brigitte Bardot - vocals
- Claude Bolling Et Son Orchestre - orchestra (01-03) 
- François Rauber Et Son Orchestre - orchestra (04)
- Los Colombianos – orchestra

Brigitte Anne-Marie Bardot (born 28 September 1934) is a French former fashion model, actress and singer, and animal rights activist. She was one of the best-known sex-symbols of the 1960s.

In her early life, Bardot was an aspiring ballet dancer. She started her acting career in 1952 and, after appearing in 16 films, became world-famous due to her role in her then-husband Roger Vadim's controversial film And God Created Woman. She starred in Jean-Luc Godard's 1963 cult film, Contempt. She was nominated for a BAFTA Award for Best Foreign Actress for her role in Louis Malle's 1965 film, Viva Maria!.

Bardot caught the attention of French intellectuals. She was the subject of Simone de Beauvoir's 1959 essay, The Lolita Syndrome, which described Bardot as a "locomotive of women's history" and built upon existentialist themes to declare her the first and most liberated woman of post-war France.

Bardot retired from the entertainment industry in 1973. During her career in show business Bardot starred in 47 films, performed in numerous musical shows, and recorded 80 songs. She was awarded the Légion d'honneur in 1985 but refused to receive it.

After her retirement, Bardot established herself as an animal rights activist. During the 1990s she became controversial by criticising immigration, Islamization and Islam in France, and has been fined five times for "inciting racial hatred".

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