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Francois Couperin - Concerts Royaux & Les Goûts Réunis (2006)

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Francois Couperin - Concerts Royaux & Les Goûts Réunis (2006)

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1. Prélude N°7 Pour L'Art De Toucher Le Clavecin
2. Concert N°7, Les Goûts Réunis : Prélude
3. Concert N°7, Les Goûts Réunis : Allemande
4. Concert N°7, Les Goûts Réunis : Sarabande
5. Concert N°7, Les Goûts Réunis : Fuguète
6. Concert N°7, Les Goûts Réunis : Gavotte
7. Concert N°7, Les Goûts Réunis : Sicilienne
8. Prélude N°3 Pour L'Art De Toucher Le Clavecin
9. Concert N°1, Les Concerts Royaux : Prélude
10. Concert N°1, Les Concerts Royaux : Allemande
11. Concert N°1, Les Concerts Royaux : Sarabande
12. Concert N°1, Les Concerts Royaux : Gavotte
13. Concert N°1, Les Concerts Royaux : Gigue
14. Concert N°1, Les Concerts Royaux : Menuet En Trio
15. Prélude N°2 Pour L'Art De Toucher Le Clavecin
16. Concert N°2, Les Concerts Royaux : Prélude
17. Concert N°2, Les Concerts Royaux : Allemande Fuguee
18. Concert N°2, Les Concerts Royaux : Air Tendre
19. Concert N°2, Les Concerts Royaux : Air Contre Fugué
20. Concert N°2, Les Concerts Royaux : Echos
21. Prélude N°4 Pour L'Art De Toucher Le Clavecin
22. Concert N°14, Les Goûts Réunis : Prélude
23. Concert N°14, Les Goûts Réunis : Allemande
24. Concert N°14, Les Goûts Réunis : Sarabande
25. Concert N°14, Les Goûts Réunis : Fuguete

Stradivaria
Daniel Cuiller – conductor

 

For more than thirty years, François Couperin was one of the great musical figures at court. But despite this prestigious status, few primary sources concerning him have come down to us. No autograph manuscript has ever been found. If the art of François Couperin has finally survived for posterity, it is entirely thanks to the editions published in his lifetime under a succession of royal privileges. The 'Concerts Royaux' and 'Les Goûts Réunis' form a homogeneous corpus of fourteen groups, very likely composed at the same period, in 1714 and 1715. The title of the second publication is quite explicit; as a great admirer of the Italian masters, and of Corelli in particular, Couperin here displays his resolve to work towards a synthesis of the French and Italian styles, thus combating those supporters of French music who still refused to countenance art from beyond the Alps. With their great melodic inventiveness, the 'Concerts Royaux' and 'Les Goûts Réunis' offer a body of chamber music full of variety and contrast; they combine elements of French grace, restraint and intimacy with Italianate energy, brilliance and vitality.---arkivmusic.com

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Last Updated (Sunday, 20 October 2013 12:36)

 

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