Feel the Blues with all that Jazz
English (United Kingdom)Polish (Poland)
Home Classical Bach C.P.E. Carl Philipp Emanuel Bach im Fokus (2016)

Carl Philipp Emanuel Bach im Fokus (2016)

User Rating: / 0
PoorBest 

Carl Philipp Emanuel Bach im Fokus (2016)

Image could not be displayed. Check browser for compatibility.

I. Violoncellokonzert a-Moll, Wq 170

1. I. Allegro assai
2. II. Andante
3. III. Allegro assai
4. Applause

II. Triosonate c-Moll, Wq 161, Nr. 1
("Gespräch zwischen einem Sanguineus & einem Melancholicus")

5. I. Allegretto - Presto
6. II. Adagio
7. III. Allegro
8. Applause

III. Sinfonie h-Moll, Wq 182, Nr. 5

9. I. Allegretto
10. II. Larghetto
11. III. Presto
12. Applause

IV. Violoncellokonzert A-Dur, Wq 172

13. I. Allegro
14. II. Largo con sordini, mesto
15. III. Allegro assai
16. Applause

encore:
17. Sinfonie C-Dur, Wq 182, Nr. 3 – Allegro

Ophélie Gaillard, Violoncello
Francesco Corti, Fortepiano

Pulcinella Orchestra
Ophélie Gaillard, Conductor

Tage Alter Musik in Regensburg 2016
Dreieinigkeitskirche Regensburg, 15.05.2016
FM broadcast Deutschlandfunk, 01.08.2016

 

The main Sunday evening concert was back in the Trinity church, with the French Pulcinella Orchestra and a very welcome concert of music by Carl Philipp Emanuel Bach, an often overlooked member of that extraordinary family. Led by cellist Ophélie Gaillard, it was perhaps inevitable that the programme would open and close with cello concertos (Wq 170/172). In typical CPE Bach style, the expansive opening cello melody of the A minor concerto was in sharp contrast to the busy orchestral introduction. The opening movement ended with a large-scale cadenza that seemed to momentarily wander off into a concerto from a completely different era. The concluding A major Concerto included some florid cello figuration in the opening Allegro, tempered by a yearning cello melody in the central Largo. Despite her leadership position, Ophélie Gaillard never allowed her cello to dominate the proceedings – an admirable, but not often heard, practice. The Symphony 5 in B minor was another example of CPE Bach’s extravagent compositional style, with rapid changes of mood and texture. The second half opened with his Sanguineus & Melancholicus, with violinists Thibault Noally and David Chivers representing the battle between the temperaments. --- andrewbensonwilson.org

download (mp3 @320 kbs):

yandex 4shared mega mediafire cloudmailru uplea uplea

 

back

 

Before downloading any file you are required to read and accept the
Terms and Conditions.

If you are an artist or agent, and would like your music removed from this site,
please e-mail us on
abuse@theblues-thatjazz.com
and we will remove them as soon as possible.


Polls
What music genre would you like to find here the most?
 
Now onsite:
  • 316 guests
Content View Hits : 196817625