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Home Classical Monteverdi Claudio Claudio Monteverdi – Orfeo (Garrido) [1996]

Claudio Monteverdi – Orfeo (Garrido) [1996]

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Claudio Monteverdi – Orfeo (Garrido) [1996]

La favola d'Orfeo, opera, SV 318 	

Disc 1
1 	Prologue.: Toccata	1:28 	
2 	Prologue.: "Dal mio Permeso amato"	5:51 	
3 	Act 1.: "In questo lieto e fortunato giorno"	3:35 	
4 	Act 1.: "Lasciate i monti"	2:37 	
5 	Act 1.: "Rosa del ciel"	3:51 	
6 	Act 1.: "Vieni, Imeneo"		1:50 	
7 	Act 1.: "Alcun non sia che disperato in preda"	5:00 	
8 	Act 2.: "Ecco pur ch'a voi ritorno"	1:30 	
9 	Act 2.: "In questo prato adorno"	4:13 	
10 	Act 2." Ahi caso acerbo!"	3:27 	
11 	Act 2.: "In un fiorito prato"	4:07 	
12 	Act 2.: "Tu se'morta, mia vita, ed io rispiro?"	2:29 	
13 	Act 2.: "Ahi caso acerbo"	4:09 	
14 	Act 2.: "Chi ne consola, ahi lassi? "	5:45 	

Disc 2
1 	Act 3.: "Scòrto da te, mio Nume"	2:53 	
2 	Act 3.: "Ecco l'atra palude"	3:57 	
3 	Act 3.: "O tu ch'innanzi"	2:10 	
4 	Act 3.: "Possente spirto"	4:29 			
5 	Act 3.: "Orfeo son io"	3:39 	
6 	Act 3.: "Sol tu, nobil Dio"	2:51 	
7 	Act 3.: "Ei dorme"	2:53 	
8 	Act 3.: "Nulla impresa"	3:55 	
9 	Act 4.: "Signor quel infelice"	7:29 	
10 	Act 4.: "Qual onor di te fia degno"	2:36 	
11 	Act 4.: "O dolcissimi lumi"	2:42 	
12 	Act 4.: "E la virtute un raggio"	3:37 	
13 	Act 5.:"Questi i campi di Tracia"		7:42 	
14 	Act 5.: "Perch'a Io sdegno"	4:43 	
15 	Act 5.: "Saliam cantando al cielo"	1:17 	
16 	Act 5.: "Vanne, Orfeo, felice e pieno"	5:42 	

Orfeo - Victor Torres
Euridice - Adriana Fernández
Sylvia, Messaggiera - Gloria Banditelli
Speranza, La Musica – Maria Cristina Kiehr
Caronte – Antonio Abete
Plutone, Pastore IV – Furio Zanasi
Proserpina, Ninfa - Roberta Invernizzi
Apollo - Maurizio Rossano
Pastore I – Gerd Turk
Pastore II – Fabian Schofrin
Pastore III, Spirito I – Giovanni Caccamo
Spirito II – Salvatore Sutera

Coro Antonio Il Verso
Ensemble Elyma
Direction - Gabriel Garrido

 

Opera in five acts and a prologue Libretto by Alessandro Striggio First performed at Palais ducal in Mantoue, February 24th, 1607 Monteverdi’s Orfeo is considered one of opera’s founding masterpieces. This opera still enjoyed the influence of the learned Renaissance art of the madrigal but was already part of the transition to the Baroque, which would soon see music serving text, poetry and the expression of passions. What better myth than that of Orpheus and Eurydice to bring about the birth of this new approach to making music? --- opera-lausanne.ch

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Last Updated (Monday, 24 February 2014 14:38)

 

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