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Home Classical Telemann Georg Philippe Telemann - Die Gekreuzigte Liebe (2004)

Telemann - Die Gekreuzigte Liebe (2004)

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Telemann - Die Gekreuzigte Liebe (2004)

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Cd1
01 - Georg Philipp Telemann, Orchestra of the Golden Age - Arie: Nicht Das Band,
Das Dich Bestricket (04:38)
02 - Georg Philipp Telemann, Orchestra of the Golden Age - Rezitativ:
So Schleppt Man Dich Ins Richthaus (01:05)
03 - Georg Philipp Telemann, Orchestra of the Golden Age - Chor Der Reuigen Sünder:
Kommt, Schauet Petrus Tränen An (03:16)
04 - Georg Philipp Telemann, Orchestra of the Golden Age - Rezitativ: Ruchloser Mund,
Verräterischer Sinn (01:50) play
05 - Georg Philipp Telemann - Arie: Ach Mein Mund, Ach Meine Zunge (04:40)
06 - Georg Philipp Telemann - Rezitativ: Was Nützt Mir's Nun (01:47)
07 - Georg Philipp Telemann - Arie: Fließt Ewig, Meine Zähren (06:09)
08 - Georg Philipp Telemann - Choral: Ach Herr, Mich Armen Sünder (01:10)
09 - Georg Philipp Telemann - Chor Der Juden, Rezitativ: Ans Kreuz, Ans Kreuz (01:17)
10 - Georg Philipp Telemann - Arie: Verfluchte Menschen Haltet Ein (03:26)
11 - Georg Philipp Telemann - Rezitativ: O Weh! Die Ganze Schar (01:14) play
12 - Georg Philipp Telemann - Arie: Die Sporne, Die Meinen Erlöser (06:12)
13 - Georg Philipp Telemann - Rezitativ: Doch Göttlichs Haupt (00:48)
14 - Georg Philipp Telemann - Chor Der Kriegsknechte: Wir Wollen Dich Als Judenkönig Grüßen (00:44)
15 - Georg Philipp Telemann - Rezitativ: Das Haupt, In Dem Die Gottheit Thront (01:01)
16 - Georg Philipp Telemann - Arioso: Aber Nein, Nicht Die Menschen Zu Verderben (04:28)
17 - Georg Philipp Telemann - Choral: Du, Ach Du Hast Ausgestanden (01:12)
18 - Georg Philipp Telemann - Rezitativ: Jetzt Lösen Sie Dich Auf (01:14)
19 - Georg Philipp Telemann - Arie: Weinet, Ihr Getreuen Herzen (06:37)

Cd2
01 - Georg Philipp Telemann - Chor Der Weiber Von Jerusalem: Ach Golgatha! (04:01)
02 - Georg Philipp Telemann - Rezitativ: Die Stunde Kömmt (02:04) play
03 - Georg Philipp Telemann - Arie: Spiegelt Euch In Meinem Leiden (06:32)
04 - Georg Philipp Telemann - Rezitativ: Schaut Den Entblößten Leib (01:04)
05 - Georg Philipp Telemann - Arie: Aus Liebe Lag Ich In Der Krippen (06:16)
06 - Georg Philipp Telemann - Rezitativ: O Herber Anblick (02:05)
07 - Georg Philipp Telemann - Arie: Seele Meiner Seelen (03:40)
08 - Georg Philipp Telemann - Rezitativ: Was Hör Ich? (00:12)
09 - Georg Philipp Telemann - Chor Der Juden: Pfui Dich! (00:36)
10 - Georg Philipp Telemann - Rezitativ: O Jammerblick (01:16)
11 - Georg Philipp Telemann - Arie: Seht, Welch Ein Mensch! (02:13) play
12 - Georg Philipp Telemann - Rezitativ: Ach Könnt Ich Doch (01:27)
13 - Georg Philipp Telemann - Choral: O Welt, Sieh Hier Dein Leben (00:59)
14 - Georg Philipp Telemann - Arie: Es Ist Vollbracht! (04:48)
15 - Georg Philipp Telemann - Rezitativ: Ja, Leider Ja (01:22)
16 - Georg Philipp Telemann - Arie: Der Abgrund Muß Erzittern (04:19)
17 - Georg Philipp Telemann - Choral: O Große Not! (00:42)
18 - Georg Philipp Telemann - Rezitativ: Weh Mir! Ich Blinder Wurm (01:51)
19 - Georg Philipp Telemann - Chor Der Kriegsknechte: Ja, Die Natur (00:21)
20 - Georg Philipp Telemann - Rezitativ: So Leidet Selbst (03:18)
21 - Georg Philipp Telemann - Arie: Ich Wünsche Mir, Jesu (05:17)
22 - Georg Philipp Telemann - Chor: Wir Wünschen Uns, Jesu (00:44)

Friederike Holzhausen - Sopran (Maria, Gläubige Seele)
Susanne Gorzny - Sopran (Maria Magdalena)
Manja Raschka - Mezzosopran (Andächtige Seele)
Ralph Eschrig - Tenor (Johannes, Pilatus, Hauptmann)
Matthias Vieweg - Bass (Petrus, Arien)
Jörg Schneider - Bass (Jesus)

Die Biederitzer Kantorei
Weimarer Barockensemble
Michael Scholl - conductor

 

"This fascinating libretto is fully matched by a score of rare beauty, and contrasting orchestral colors that show Telemann for the most part at the peak of his powers. The ambivalent irregularity of the unison string figure, consistently reiterated, that accompanies Devout Soul’s opening aria is immediately arresting, as are Peter’s successive arias, the first highly agitated, fragmentary, full of telling silences, the second overflowing with tearful remorse, but also such loveliness as to tear at the heart. The whole of part 1 indeed makes a deep impression, virtually every number reaching a level of profundity that makes a fool of those who would still have it that Telemann’s music rarely, if ever extends beyond agreeable superficiality. Part 2 does not maintain the same overall high standard, but it opens with a magnificent chorus of lamentation, “Ach Golgatha,” a darkly dissonant number whose chromaticism and stabbing chords are colored by bassoons and mournful oboes. The grief of Mary, the mother of Jesus, is delicately supported by a pair of consolatory chalumeaus, to special and poignant effect, while that same emotion is evoked by the charming pastoral in which Jesus, at the point of death, recalls the love surrounding him at his birth in the crib... The lack of even introductory notes in translation will doubtless deter many outside German-speaking territories from exploring this exceptional example of Telemann’s Passion music. That is a great pity; both the work and performance, which is given first-rate sound, deserve the widest possible audience."--Brian Robins, FANFARE

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