Joni Mitchell - Shadows and Light (1980)
Joni Mitchell - Shadows and Light (1980)
1. In France They Kiss On Main Street 2. Edith And The King Pin 3. Coyote play 4. Free Man In Paris 5. Goodbye Pork Pie Hat 6. Jaco's Solo 7. The High And The Mighty 8. Third Stone From The Sun 9. Dry Cleaner From Des Moines 10. Amelia 11. Hejira 12. Black Crow 13. Furry Sings The Blues play 14. Raised On Robbery 15. Why Do Fools Fall In Love 16. Shadows And Lights Line-Up: Joni Mitchell - electric guitar, vocals Pat Metheny - lead guitar Jaco Pastorius - bass Don Alias - drums Lyle Mays - keyboards Michael Brecker - saxophone The Persuasions - backing vocals
Joni Mitchell's 1970s and '80s forays into jazzier territory may have distressed her folkie faithful, but they also resulted in some uncompromising, challenging, and, yes, entertaining music. Witness this 73-minute document from her '79 tour, which finds her backed by her greatest band ever, including guitarist Pat Metheny and the extraordinary bassist Jaco Pastorius, as well as Metheny cohort Lyle Mays (keyboards), Michael Brecker (sax), and Don Alias (drums). Mitchell's The Hissing of Summer Lawns-Hejira-Mingus period is heavily favored; there are two tunes from Court and Spark, but nothing earlier. It's not perfect--the film clips edited into the live tracks (at Mitchell's direction) are an annoying distraction (Rebel Without a Cause? Huh?). But by the time Mitchell, Mays, and vocal group the Persuasions finish a spine-tingling version of the title song, you'll have witnessed something special--and historic, as this was the only time this stellar crew toured together. --Sam Graham
Although this incredible live unit never recorded a proper studio album we do have this as a reminder of just what is possible. Joni the folkie briefly became Ms. Mitchell the jazz singer, supported by the formidable talents of Pat Metheny, Lyle Mays, Jaco Pastorius, Michael Brecker and Don Alias. Many of Mitchell's jazz flirtations are given the full treatment with musicians who understood both her and the genre. It is a staggering marriage of talents and wholly successful. There are even obligatory bonus solos from Pat and Don. They should have stayed together for at least another album.
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