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Stan Kenton – Sketches On Standards 1953-1956 (1956)

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Stan Kenton – Sketches On Standards 1953-1956 (1956)

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01) Sophisticated Lady
02) Begin The Beguine
03) Loverman
04) Pennies From Heaven
05) Over The Rainbow
06) Fascinating Rhythm
07) There's A Small Hotel
08) Shadow Waltz
09) Harlem Nocturne
10) Stella By Starlight
11) Dark Eyes
12) Malaguena
13) Spring Is Here
14) I'm Glad There Is You
Laurindo Almeida - Percussion Nestor Amaral - Percussion Don Bagley - Bass Norman Bartold - Trombone (Bass) Max Bennett - Bass Ralph Blaze - Guitar Conte Candoli - Trumpet Pete Candoli - Trumpet Buddy Childers - rumpet Bobby Clark - Trumpet Bob Cooper - Sax (Tenor) Jack Costanzo - Percussion Curtis Counce - Bass Vinnie Dean - Sax (Alto) Don Dennis - Trumpet Maynard Ferguson - Trumpet Alluísio Antunes "Lulu" Ferreira - Percussion Bob Fitzpatrick- Trombone Carl Fontana - Trombone Fred Fox - French Horn Phil Gilbert - Trumpet Bob Gioga - Sax (Baritone) Chico Guerrero - Percussion Bill Holman - Sax (Tenor) Richie Kamuca - Sax (Tenor) Lee Katzman - Trumpet Don Kelly - Trombone (Bass) Stan Kenton - Bandleader, Piano Kent Larsen - Trombone Ed Leddy - Trumpet Stan Levey - Drums Mel Lewis - Drums Charlie Mariano - Sax (Alto) Jay McAllister - Tuba Ruban McFall - Trumpet Keith Moon - Trombone Lennie Niehaus - Sax (Alto) Jack Nimitz - Sax (Baritone) Sam Noto - Trumpet Don Paladino - Trumpet Bill Perkins - Sax (Tenor) George Roberts - Trombone (Bass) Irving Rosenthal - French Horn Frank Rosolino - Trombone Bill Russo - Trombone Sal Salvador - Guitar Spencer Sinatra - Sax (Tenor) Frank Strong - Trombone René Touzet – Percussion

 

This LP contains six Bill Russo arrangements, five from Stan Kenton, and one by Lennie Niehaus. The repertoire features many songs not associated with Kenton (such as "Sophisticated Lady," "Pennies from Heaven," and "Over the Rainbow"), but the inventive yet melodic treatments certainly sound like the Kenton band. The main soloists are altoist Lee Konitz, guitarist Sal Salvador, trumpeter Conte Canoli, and trombonist Frank Rosolino and, although these concise interpretations (none of the dozen performances is much over three minutes) are not essential, the music is quite pleasing. This collection is a change of pace for the Stan Kenton Orchestra. ---Scott Yanow, Rovi

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Last Updated (Thursday, 14 May 2015 12:30)

 

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