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Natalia Oreiro – Tu Veneno (2000)

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Natalia Oreiro – Tu Veneno (2000)

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1. Tu Veneno
2. Rıo De La Palata
3. Como Te Olvıdo
4. Luna Brava
5. Aburrida
6. Estamos Todos Solos
7. Gitano Corazon
8. Febrero
9. Donde Ira
10. Basta De Ti
11. Mata Y Envenena
12. Si Me Vas A Dar Tu Amor
13. Que Pena Me Das
14. Un Ramıto De Vıoletas
15. Caliente
Producer – Pablo Durand Programmed By, Keyboards – Yoad Nevo


While Tu Veneno contains no shortage of Latin pop, it also has Natalia Oreiro's attempts for more rock credibility. Added to her usual mix of Latin rhythms and mainstream pop is a mixture of hard rock energy and even old-school production. While "Rio de la Plata" and "Como Te Olvido" are as polished and danceable as any Ricky Martin tune, "Aburrida" adds a Santana-like guitar lead to a song exhorting for more social consciousness. Similarly, "Febrero," an acoustic bluesy song, sounds like it could fit in a bar jukebox, and the title cut adds organs and guitar licks to a stripped-down arrangement. There's even a lovely cover of Boz Scaggs' "We're All Alone" with rewritten Spanish lyrics. Oreiro isn't always the strongest singer (her vocal limitations are most evident on "Febrero"), but she does fit her material, for the most part, and her charisma and energy make her compelling. In fact, it's really the unevenness of the songwriting that makes the album falter. The attempts at breaking from formula are commendable, but not entirely successful (though they do have their moments) and many of the straight-ahead pop songs, while pleasant and lively, are not especially distinctive. Still, Tu Veneno offers some intriguing moments, and makes for a promising listen. ---Victor W. Valdivia, Rovi


Po sukcesie, jaki odniósł jej pierwszy album, argetyńska aktorka Natalia Oreiro postanowiła poświęcić się przede wszystkim karierze piosenkarki. Duże nadzieje wiąże więc ze swoją drugą płytą - "Tu Veneno". Longplay utrzymany jest na pograniczu popu i rocka, bowiem artystka sięgnęła do wielu gatunków muzycznych: od bluesa, przez rockowe balady, aż po flamenco. W realizacji dzieła udział wzięli liczni goście, m.in. gitarzyści Michel Thompson i Michael Landau, którzy pracowali już z Madonną oraz Celine Dion. muzyka.onet.pl

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Last Updated (Thursday, 17 December 2015 18:16)


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