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Home Latin, French, Italian Alceu Valença Alceu Valença - Molhado De Suor (1974)

Alceu Valença - Molhado De Suor (1974)

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Alceu Valença - Molhado De Suor (1974)

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A1 	Vou Danado Pra Catende 	
A2 	Borboleta 	
A3 	Punhal De Prata 	
A4 	Dia Branco 	
A5 	Cabelos Longos 	
B1 	Molhado De Suor 	
B2 	Mensegeira Dos Anjos 	
B3 	Papagaio Do Futuro 	
B4 	Dente De Ocidente 	
B5 	Pedras De Sal
B6	Chutando Pedras

Acoustic Guitar [Violão], Vocals – Alceu Valença
Arranged By [Strings, Brass] – Waltel Branco
Design – Lula Cortez*
Drums, Percussion – João Cortez
Dulcimer – Lula Cortez*
Flute – Ronaldo (9)
Guitar [Craviola], Mandolin [Bandolin] – Piri (3)
Layout – Joel Cocchiararo
Percussion – Hermes (6)
Photography By – Tania Quaresma
Producer – Eustáquio Sena
Viola, Guitar [Craviola] – Geraldo Azevedo
Viola, Guitar, Bass – Cassio

 

Originally released on the Brazilian label Som Livre in 1974, the lp has been out of print on vinyl for the past 40 years. A cornerstone of the Brazilian Udigrudi movement found in Recife region, Alceu’s muse fused psychedelia, tropicalia, folk rock and beyond.

Alceu Valença (born July 1, 1946 in São Bento do Una, Pernambuco, Brazil) is a Brazilian composer, writer, performer, actor, and poet.

Alceu Valenca was born in countryside Pernambuco, Northeast Brazil. He is considered the most successful artist in achieving an aesthetic balance between traditional northeastern Brazilian music and a broad range of electronic sounds and effects from pop music. One can find traces of maracatu, coco and "repentes de viola" (improvising fast-paced Brazilian folk music) in most of his songs. Alceu was able to utilize the electric guitar the electric bass, and lately even a synthesizer was added to his broad scope of musical instruments.

Because of that, Alceu was able to recreate Northeastern traditional music, like baiao, coco, toada, maracatu, frevo, caboclinhos, embolada and repentes: all sung with a sometimes rock sometimes alternative sounding music background. His music and his themes are intangible, universal and unlimited. However, his aesthetic basis is genuinely Brazilian Northeastern music. ---last.fm

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