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Home Rock, Metal Eric Clapton Eric Clapton – There’s One in Every Crown (1975)

Eric Clapton – There’s One in Every Crown (1975)

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Eric Clapton – There’s One in Every Crown (1975)

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01. We've Been Told (Jesus Is Coming Soon) (Traditional, arr.by Eric Clapton) – 4:22
02. Swing Low Sweet Chariot (Traditional, arr.by Eric Clapton) - 3:29
03. Little Rachel (Jim Byfield) – 4:05
04. Don't Blame Me (Eric Clapton/George Terry) – 3:32
05. The Sky Is Crying (Elmore James) – 3:56
06. Singin' The Blues (Mary McCreary) – 3:24
07. Better Make It Through Today (Clapton) – 4:03
08. Pretty Blue Eyes (Clapton) – 4:42
09. High (Clapton) – 3:29
10. Opposites (Clapton) – 4:44

Personnel:
- Eric Clapton - lead vocals, electric & acoustic guitars, dobro
- George Terry - electric & acoustic guitars, group vocals
- Jamie Oldaker - drums, percussion
- Dick Sims - organ, piano, electric piano
- Carl Radle - electric bass, electric guitar
- Yvonne Elliman - lead female vocals, group vocals
- Marcy Levy - group vocals

 

Having stayed out of the recording studio for four years prior to making his comeback album, 461 Ocean Boulevard, Eric Clapton returned to recording only a few months later to make its follow-up, There's One in Every Crowd. Perhaps be hadn't had time to write or gather sufficient material to make a similarly effective album, since the result is a scatter-shot mixture of styles, leading off with two gospel tunes, one a reggae version of "Swing Low, Sweet Chariot." Clapton and his second guitarist, George Terry, had written a sequel to "I Shot The Sheriff," "Don't Blame Me," which Clapton sang in his best impersonation of Bob Marley's voice. The other originals included "Opposites," whose lyrics were just that -- day, night, life, death, etc. The album's best track, naturally, was the blues cover, Clapton's take on Elmore James's "The Sky Is Crying." But There's One in Every Crowd was a disappointing follow-up to 461 Ocean Boulevard, and fans let Clapton know it: While the former album had topped the charts and gone gold, the latter didn't even make the Top 10. ---William Ruhlmann, AllMusic Review

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